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As Des Moines' Val Air Ballroom filled up on Friday night, one thing was evident; the blues are still alive in Iowa. Blues on Grand regulars, and Des Moines' own Fat Tuesday and the Greasefire Horns kicked off the evening, showcasing to the anxious crowd why they are considered the "Big Boss Man" of the Des Moines blues circuit. The cool blues guitar licks, wailing horns, and sultry voice of 87 year old Iowa blues icon Jimmy Prior prepared the crowd for the spectacular blues music to come. Then Buddy Guy, the legend himself, took the stage. With an ensemble that had him dressed in polka-dots from head to toe, including his trademark polka-dotted Fender Stratocaster, the crowd knew what they were about to experience would be nothing short of spectacular. Guy pulled out all the stops on this night, continually exciting the crowd of over 1,000. Guy also did a wonderful job of taking everyone's mind off the newest declaration of a U.S. led war against Iraq.
The relentless showman promenaded through the crowd during his performance of "Damn Right, I Got the Blues," drawing racing security guards as well as flocking fans who wished to get an up close look of the melodious riffster, until he finally returned to the stage where he transitioned into John Lee Hooker's "Boom Boom." Hooker wasn't the only blues nostalgia Guy would conjure up though, he also provided his own bluesy twist of many greats, such as Cream, Marvin Gaye, Muddy Watters, and other classic blues and rock artists. Guy's own relentlessness to suck in the crowd even made him feel obliged cut short his eloquent slow-blues song "Still Called the Blues," much to many of the fans' dismay. "I can play Jimi Hendrix," Guy announced as if he would do anything the crowd wanted.
Amid numerous cover tunes, Guy was able to slip in some songs off his own records. During "Mustang Sally" (which was actually written by Mack Rice) a song off of 11's Damn Right, I Got the Blues, Guy encouraged the audience to sing the chorus, and of course, they complied. It was Guy's continual playfulness with the audience that kept them wanting more. "I'll open up a blues club here in Iowa," Guy joked, but everyone in the audience seemed to love the idea.
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This same informality and spontaneity seemed to apply to the members of Guy's band. They didn't know what to expect any more than the audience did. "I don't rehearse with my band, I like to f with them," he explained to the delighted crowd. The band was not kept in the shadows all night, however, as a matter of fact pianist Tony Z received numerous hoots and hollers for his intense chord beating and indescribable facial expressions. Guy's own intense facial expressions, when pushing to the upper register of his voice, fists clenched in the air, were utterly astounding.
As the night continued Guy decided to take a seat; he grabbed his stool and an acoustic guitar in order to showcase his own style of acoustic country blues. He somberly strummed chords while he sung the opening track off his 001 CD Sweat Tea, a song entitled "Done Got Old." The lyrics obviously foreshadowed the thoughts of a man who is getting to the latter stages of his life; "Well I done got old, I can't do the things I used to do." Can't do the things he used to do? Nobody in the crowd could believe that after the display they had just seen.
Musically, Guy's performance was more than simply colorful use of blue notes. Guy's fret board mastery was the main crowd pleaser, weaving in and out of various styles and slipping in some jazz, blues and soul phrasing to set everyone up for his passionate blues riffing. The rhythm was kept fairly simple and steady, and complimented the sensational melody that was intricate as well as graceful. The solos of each band member were particularly active and energetic, and accented the ethereal feeling that swept through the entire evening.
The show ended with Stevie Ray Vaughan's uplifting "Cold Shot," and Guy handed out numerous guitar picks to outstretched arms as he exited the stage. An encore was zealously sought by the crowd, but it would have been bittersweet after the emotionally driven, spontaneously fierce display that was presented; and in a way Buddy Guy was saying that the fun was over and it was time to get back to the more important socio-political problems our country is facing.
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