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Blackberrying by Sylvia Plath


Within the poem Blackberrying by Sylvia Plath, she positions herself as the lonely walker and speaker, self-consciously communicating with and reacting to nature yet all the while assuming that at her worst this may cause her immediate surroundings to justifiably consume her (by the overwhelming sea ) and that at best her surroundings are malciously indifferent. The theme of Blackberrying, on the surface at least , is of place. Aside from this theme of place and some regularity of structure there are other panoramic factors in this poem. Most striking is the underlying sense of threat and the images of willing death which are anticipated. Plath uses imagery, metaphor, simile and other many elements of poetry in this poem. The imagery is used mostly in the poem to stimulate our senses and recall our imaginations and experiences.


The progress of the walk in Blackberrying does not describe the journeys outset, yet there is a defined middle and end. There is a definitive purpose namely to relish in and gather blackberries. The three nine-line stanzas within the work fulfil three detached purposes-the first to describe the berries and the luscious sensations experienced in their harvest; the second to define the environment and to point to failings which can exist when the berries become overdeveloped; the third to terminate the journey and switch the mood from one of fascination and wonder to stark negative reality. Blackberrying as a term exists in Medieval English. It means going toward death and has the additional negative connotation of death without salvation (hell).


The poem opens with a scenario dominated by blackberries so that we gain an impression of delicious blackness everywhere-nothing , nothing but blackberries. (Line 1) The concept of the twisting lane is created by Plath using an image of hooks-bends which the solitary berry-harvester, the poet, cannot see past. We are told the sea is somewhere at the end of it (Line 4)and we are exposed to the first nuances of limbo and hopelessness when we learn that it is heaving (Line 4)-an apparently strange word to choose to describe the unseen conjured up sea on a windy but sunny September day. Perhaps, even at this early stage of the poem the poet finds the thought of the sea which will greet her at the end of the lane as threatening. Yet it is the berries that demand the poets and our attention as they are described with highly illustrative similes- Big as the ball of my thumb , and dumb as eyes/Ebon in the hedges, fat/ With blue-red juices. (Lines 5-7) The blackberries are not hostile or indifferent. An interesting metaphor in Blackberrying is in the line, These they squander on my fingers. I had not asked for such a blood sister hood. (Lines 7-8) It is as if the juice from the blackberries is their blood, almost as if they are sacrificing it. It then goes on to describe her as she imagines them inviting her into their sorority. She has pricked her fingers on the thorns of blackberries- when her blood mixes with the juices of the blackberries it is as if she has been blood bonded into their sorority, yet she has not asked for this.


The wind features prominently and is represented as a vigorous force which, while not uniformly hostile , is dominant, uncontrollable and yet influential upon the poet and the natural territory in which she has placed herself. In the second stanza we are shown an image of noisy crows circling and protesting , protesting against the ominous presence of the sea which will shortly be encountered. (Line 10) As the speaker describes the birds in the wind as Bits of burnt paper wheeling in a blown sky their protesting voice causes her to remark-I do not think the sea will appear at all.(Lines 1-1) Then the image of lusciousness is compromised as the poet encounters the corruption of excess as she comes to-One bush of berries so ripe it is a bush of flies,/Hanging their blue-green bellies and their wing panes in a Chinese screen./ The honey-feast of the berries has stunned them; they believe in heaven.(Lines 15-17) The cheerful mood of the walker which seemed to exist at the commencement of the poem declines as the undertones of decay and nothingness begin to take over the poets outlook. The reader is left unsettled because of the image of flies, which are usually seen around decay and death.


The third stanza has the colorful image of laundry slapping her in the face and a mechanical image of silversmiths working with an intractable metal. (Line-0) These images are after the beauty of the natural images. There is a strong image of the path, which ends at the hills' northern face, and the face is orange rock, but the view is of nothing, nothing but a great space. (Line 1) emphasizes the empty and bleak mood of the poem. This is a connection to the nothing sentence at the beginning of the poem. The magnificence of the se is an example of the sublime because of the feeling that there is something terrible there. The beating and beating produces a din that doesnt seem quite natural. (Lines 6-7)As the lane in the poem ends, the wind, becomes more aggressive until at last the speaker is faced with the all-threatening, all-consuming sea which is everywhere. We feel her hysteria is not far away-her sense of hopelessness, although perhaps temporarily appeased by blackberry-picking, has returned with a vengeance.


Entirely, the central image of the 1st stanza is of nature and the blackberries that love and are friendly to her. In the nd stanza, the image is of birds and flies that are protesting. The sea is the central image of the rd stanza with the wind slapping and the sea beating.


The language Plath uses in Blackberrying is colourful as she creates wonderful images. The repetition of blackberries, in the first stanza together with big, ball, ebon, blue-red, and blood all support the image of a profusion of berries. Plath also uses color to cement the mood-the berries are ebon, juices are blue-red, flies are bluegreen, the sea is white and pewter under orange rock. And further, give ear to the linked consonance of green, panes, screen, stunned, heaven wave-rhythms scored throughout the poem, so that we know the oceanic has been inside us all along. Also the language is both rhythmic and lyrical. It is almost as if the voice of the speaker reaches out to the reader. The poem comes directly form the speaker and she is characterized by what she is saying. Plaths morbid fascination with death and how to attain it flow from the poem as if in speech. It makes it easier for one to comprehend death, and that the will to die can be a hidden desire in man himself.


The mood of Blackberrying begins buoyantly and continues, in spite of some sinister undertones, with much optimism to show colorful and vivid descriptions of the nature of the late summer lonely lane and its luscious, if flawed, fruits. This airy positive view suddenly collapses within the last stanza into a form of gloomy certainty with the swift discontinuation of the lane and its replacement by intimidating images of the nihilistic cliffs and ominous oblivion of the sea-this could be referred to as a death image.


There is a path in Sylvia Plaths Blackberrying that the speaker takes to the sea, where poems end is matched to lands end, where we stand enchanted by the rhythms. This path in Blackberrying is, a path in progress. Intractable-by inviting the substance in, by letting it repeat, bear out the raw matter of itself. She has found a way to tract,-it draws, it connects, it manages, it discusses itself. Like most other good poems, it is about poetry, whatever else is at issue. The intractability sends us back, in search of what matters, though the matter itself seems resistant to meaning.


Blackberrying tries to celebrate the fruitfulness of nature-the temporarily comfortable yet despair-prone poetic voice being abruptly overwhelmed by a sense of pointlessness and ruin at the end of the piece. On first reading Blackberrying with its delightful images of innocent activity during a late summer day, I shared the poets own disappointment as her short walk came to an end and she was swamped by a sudden feeling of hopelessness so that I found myself wishing she had just turned her back on the sea and retraced her steps while picking blackberries this time on the left mainly.


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This is an age of commercialism.The term consumer society is common and real in developed countries.The less developed and developing nations too are fast entering this rat race of buy and sell.Everything is seem in monetary terms.Even human relationships have a price.It is all a question of who can sell the most and who can afford to buy the most.The dollar seems to represent all that modern society stands for.


To cater to this great urge to buy entrepreneurs are flooding the markets with more and more and better and better commodities.The shops are lined with attractive goods designed to part a man from his money.As more and more people start producing goods to sell there will naturally be a duplication of goods in the market.How then will the producer persuade the buyers to buy his goods and not anothers?What strategy will he employ to ensure that his goods get a fair,if not the lions share,of the market?The answer is advertising.He will resort to advertisements to bring his commodities closer to the consumer.


The power of advertising is indeed strong.Its strength lies in fact that people like to be wooed.People also like to believe.The average man does not find it very easy to decide.He likes to have his decisions made for him.Advertising does this quite effectively.The way advertising companies have sprung up in large numbers testifies to their success.


As numerous and as varied as the products in the market are the advertising strategies used.Modern means of mass communication are many.Modern advertising uses all these means with telling effect.It is almost impossible to escape advertisements.Hoardings stare down at us from the sides of the roads.Neon signs wink above shops.Jingles and slogans assault our ears.Magazines contain more pictures of models and washing machines than articles.Soft drinks and soap are in full array on the TV screen.Against such constant and methodical onslaught what does the consumer have?Can any beauty coscious lady refrain herself from going out and buying the perfume which this popular actress uses?Can any young man not drink the wonderful soft drink which his favourite rock star assures him is the best?


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As far as those who are marketing the product are concerned asvertising does certainly help.It helps them to sell the product better.The consumer too is benefited.He gets to know the market better wothout having to go from shop to shop.He knows what is available.He finds out about the relative merits of the products and can therefore buy wisely.Of course advertising does inflate the price of the goods.When a woman buys a few cosmetics she pays 0% to some advertiser or the other indirectly.Advertising will,however,have helped her to know which are better cosmetics and she will make a better buy.


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Our staff of freelance writers includes over 120 experts proficient in the life you save may be your own (decribes the story), therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your the life you save may be your own (decribes the story) paper at affordable prices ! 1. The structure of this story is very simple. It's a steady, unchanging journey for the characters until another person impacts them and shatters their life. This impact happens twice in the story to two different people. The story starts out with two woman, Mrs. Lucynell Crater and Miss Lucynell Crater. They meet a man named Shiftlet who works for them. The mother tries to get him to marry her daughter. The first impact is when they do marry. It impacts him so much that he leaves the daughter stranded out in nowhere. The second impact is when he's driving on the road and let's a little runaway boy ride with him. He begins to talk about his mother and the boy snaps at him and leaves. This reminds Shiftlet of how corrupted the world is and ruins him.


. What pulls the story together? I believe it is the way Shiftlet feels, how he can't stand corruption and yet he is corrupted without knowing it. This is the relationship between the two impacts, how it ruins the daughter and how it later ruins him. He ditches the daughter because of the reason he married her, only for the car. Later, the hitchhiker boy abandoned him after calling his mother horrible names and Shiftlet, yet faced with more corruption, cries out to God to take away the corruption, not realizing he is just as bad.


. The narrator of "The Life You Save May Be Your Own" is a third person narrator. This narrator really don't revealed to the readers. Flannery O'Connor makes the narrator tell the story like it you were listening to someone telling you the story. This is pretty much straight forward and in no way dos the narrator have anything to do with the story. We come to understand this narrator is as just a person telling a story in a straight forward kind a way.


4. Mrs. Crater- controlling, hoping to sell off her daughter so they may have a man around the house, deceiving, represents one who only cares about herself


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Miss Crater- deaf, innocent, not aware of what's going on, represents the few innocents that are tossed around in a world of corruption


Shiftlet- a tramp with an arm missing, can't stand corruption, questions existence , represents the ones that question life and also only cares about himself


Shiftlet and Mrs. Crater relate in the fact that they can both just abandon or sell someone off for their own benefit


5. I think the time might be around the 150's because the car was built in 18 and hasn't worked for 15 years. It's a desolate spot, probably south. No info is really given. I think it relates to the characters by symbolizing that they're nobody. They have no real meaning to society and life except to themselves.


6. The author uses a lot of irony in the story. Mr. Shiftlet thinks he has so many morals and can't stand corruption, but he marries for money and leaves a deaf girl stranded. The title is also significant to this irony. It comes from an old advertisement saying, "Drive Carefully The Life You Save May Be Your Own." However, none of the characters are careful with their decisions and it ends up destroying them. There is also foreshadowing when they marry at a church and Shiftlet says, "I don't like law." That foreshadows the fact that he is going to do something wrong.


Mythological


1.


. All of the characters in this are ignorant. They don't see how lousy they really are. The daughter is just ignorant because she is handicapped and she doesn't realize how people are just tossing her around. The mother is ignorant because she thinks she has everything figured out, especially Shiftlet. She thinks if she can sell her daughter to a man, she'll be set. Shiftlet absolutely hates corruption, yet he is just as corrupt as everyone else.


. The car is symbolic. It represents the spirit of whoever drives it. When the husband died, the car died. When Shiftlet drove it, the car became a wandering spirit, never stopping for anyone.


4. The characters don't change at all and they never will. They will always be ignorant. Shiftlet will never see any change in the corruption of man because he himself is corrupted. The daughter won't change because of her disability. The mother is the only person who might because of the fact that she lost her daughter, but the story does not go into how it affects her.


5. The story gets religious when Shiftlet calls out to God in the end and prays for him to end the corruption. However, he doesn't realize that he is corruption and if God were to do that, it would end him too. It's also kind of religious when the mother makes them get married at the church and he rejects that. He sees it as law and he doesn't like law.


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Our staff of freelance writers includes over 120 experts proficient in My friend, the hero, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your My friend, the hero paper at affordable prices with custom essay service! In the essay, Notes of a Native Son, James Baldwin reluctantly attends his fathers funeral. When he is led up to the casket to view his father, he realizes his own mortality and the sad truth of the world around him.


He was simply an old man dead, and it was hard to believe that he had ever given anyone joy or pain. Yet, his life filled that room. Further up the avenue his wife was holding his newborn child. Life and death so close together, and love and hatred, and right and wrong, said something to me which I did not want to hear concerning man, concerning life. (Baldwin, 65)


Baldwins bitter realization�for everything good, there is bad�paints a bleak, but realistic picture of our existence as human beings. Baldwins perception of life and death so close together (Baldwin, 65) brings me back to an event in my past, where this irony presented itself clearly to me.


It was October th, 001 and my best friend, Kristas, health was diminishing more and more with every passing hour. She had been activated on the waiting list for a kidney/pancreas transplant over a year ago and the call had not come yet. Her kidneys were failing at a rapid rate and the only choice feasible was to start dialysis the next day. Since the age of four, she had been battling health issues�everything from stomach problems, gastroparesis, to eye problems, her retinas detaching�due to the diabetes. She never let her illness get her down. She fought it every step of the way. A stranger on the street would never know she was sick unless she told them, and even then, she played it off as if it was, as she would say, no big deal. I always admired her incredible strength and determined attitude. Dialysis was a different story though; Krista knew she could not fight this one. She would have to be hooked up to a machine to survive�until her organs came.


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That night, I saw a beautiful, vivacious and strong thirty-year-old woman turn into a frightened little girl. Her attitude was always upbeat and positive, but that night her voice was trembling, filling the phone with sadness and despair. Why wont they call me? she pleaded. I have been waiting over a year for the hospital to call and say, "Hello Krista. This is the nurse from UCSF. We have organs for you, please come to the hospital as soon as possible'!" Finally she proclaimed, "I can't do it anymore; I have no more to give!" I could sense desperation in her voice. All I wanted to do was find the right words to comfort her and give her hope. I was her best friend scrambling for the right words to say. The only words I could strum up entailed, "It's going to be okay." and "You will be getting a call any day! You just have to be patient!"


The fact was I didn't know if she was going to be "okay". I was just as impatient as she was to get the call. How can I give someone�let alone my best friend�hope when I didn't understand what I was hoping for! In order to save Krista, someone would have to lose his or her life, plain and simple. We had many morbid conversations trying to plan the timeframe of when the call would come. Every holiday weekend we would look at the statistics of accident-related deaths and predict that that was the weekend she would get called. Neither she nor I wished for someone to die, but if it had to happen, we prayed it would happen soon, so she could be saved. I would always wish her well on those particular weekends, with a simple gesture, "Have a great weekend. Give me a call if anyone dies." This statement was not meant as a cruel joke, but more as an acknowledgement of a terrifying reality that awaited her.


Krista and I talked on the phone for another hour or so. The conversation mainly consisted of her expressing her fear and frustration of the situation. I was there to listen, which was what she needed the most. This was the first time I truly felt her pain and anguish. I had always been afraid of her disease and was reluctant to face the truth of her illness. If a donor didn't appear soon, she could very well die. I am positive I will never truly understand the extent of emotions she felt, but if I was ever to grasp a tiny portion of that intensity, I felt it that night. I felt desperate and helpless.


The next morning was brisk and inviting. One more day until Halloween and I still had no idea what my costume was going to be. As I washed the night off in the shower, I recalled my cellular phone ringing quite early in the morning while I was still engaged in a deep sleep. It wasn't abnormal for my cell phone to ring at such an odd hour. My boyfriend and I had broken up a few weeks prior, but he would still call at random times of the day to talk. This morning was different. Normally, I would ignore any messages until I got to work, but for some reason I decided to check them. The message I heard was more overwhelming than words can describe. "Hi Jamie," I could hear Krista's voice, soft as a mouse, calmly begin to speak, "I am heading to UCSF. I got the call. Please call me soon, I am so scared." Even though we had practiced over and over again what she would say when she called me, nothing could prepare me for the moment I actually received that call. Adrenaline pumped through my body. It was hard to believe that such a phenomenal miracle could happen the morning after a night filled with so much despair and doubt. I listened to the message one more time just to make sure my mind wasn't playing tricks on me. It was true, I heard correctly. Someone died and my friend would receive the organs she needed; her life would be saved. I must say, that thought brought about the most frightening and elating feelings�all at the same time.


I anxiously called her back, only to speak with her briefly. I needed to tell her everything I wanted to tell her, just in case something was to happen. What do you say when someone you love is heading off to get a kidney/pancreas transplant? I sat there crying on the phone. "I can't believe this is happening!" is all I could spout out. "I love you and I know you will be okay. I am so proud of you!" Although my words were simple and few, she knew what I meant. She knew how much I loved her and she knew I was right by her side, whether it was physically or spiritually. The next twenty hours were painful and grueling.


Halloween day was like no other day I could possibly remember. I received a call from Krista's cousin explaining that Krista was in intensive care and that the surgery was a complete success. All my anxiety was lifted and I was able to breathe again. Leave it to Krista to be the first pancreas/kidney transplant�ever�to be completed in less than seven hours, with no complications. Furthermore, she was out of the hospital in less than a week after her surgery. The approximate expected time for recovery in the hospital was two weeks…she was out in five days! I never expected any less from her, but at the same time, Krista will never know how petrified I was for her.


It has almost been two years since Krista's transplant. She is more beautiful and outgoing than ever. I cannot say she has traveled an easy road, but I can say there is no one in this world I admire more than her. I am thankful every moment of the day for the donor who saved my friend's life. It is truly a shame that someone had to lose his or her life to save my dearest friend. It is a shame, but a blessing at the same time. Since the transplant, Krista was fortunate to be able to contact the donor's family and develop a relationship with them. She received the opportunity to experience and know her donor, Donio�as a person�through his family's eyes. She will never forget the man who saved her life. Although, she feels blessed to have received this transplant, it doesn't make it any easier to accept the fact that someone had to die. It is one of the cruel ironies of life we may never understand. In Notes of a Native Son, James Baldwin realizes and feels that the good and the bad go hand in hand in life�the death of his father and the birth of his sibling. As I look back at my experience with Kristas transplant, I can honestly say my feelings towards life have been altered to reflect an outlook similar to the one Baldwin experiences.


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The poem by Robert Frost "The Road Not Taken" is a first person narrative tale of an important moment in the speaker's life. He seems to be torn between the choice of a moment and the choice of a lifetime. "The Road Not Taken" can be interpreted in many ways and there are several levels of meaning to this poem. There can be the literal meaning, as he describes a natural setting with beautiful imagery. This is shown in his strong use of metaphors in describing the wearing of the paths and the use of personification in that the path "wanted wear.' This is also evident in his description of the "yellow wood.' This gives the impression to the reader that there is an autumn scene with the leaves changing. Just as the decisions we make change ourselves. While some would think to describe turning leaves as perhaps golden in color, he uses figurative language with the letter Y in yellow, which to me creates the visual of the fork in the road. There can also be the deeper more profound meaning. His writing describes his feelings in the way he states that he was "sorry he could not travel both', and also the universal meaning of the choices people must make on the road of life and how hard it is to make that decision. The characters apparent inability to make a decision creates the link between the reader and the poet. The Road Not Taken allows the reader to relate the theme to a time in their own life.


"The Road Not Taken" was inspired as a private joke between Frost and Lawrence Thomas. While visiting Thomas in England the two would take long walks through the countryside. Repeatedly, Thomas would choose a route that would allow him to show Frost a special landscape or a rare flower; but by the end of the walk Thomas would regret the path that he chose and would sigh over what he might have been able to show Frost if they had taken the "better" path. Frost often said that he found something "romantic about sighing over what might have been." This helped him with his inspiration to write this poem.


There have been many interpretations of what the true theme of the poem might be, however I interpreted this poem to be about choices whose outcome we cannot predict. Although both paths seem to be very similar in appearance, they both have very different destinations. One might never know exactly where the path or where life might take you. When Frost says "I shall be telling this with a sigh', I am not be sure whether Frost meant the "sigh' to mean he was sorry that he had taken the path that he had or if that he was relieved that he chose the path he did. Frost never publicly clarified what he actually meant by the "sigh,' but Frost once received a letter from a young grammar-school girl asking "Why the sigh?' This prompted his answer. "It was rather my private jest at the expense of those who might think I would yet live to be sorry for the way I had taken my life. I suppose I was gently teasing them. I'm not really a very regretful person, but for your solicitousness on my behalf I'm your friend always." Though these words may seem to mean that he was not sorry for the path that he choose, the question was never truly answered. Frost was reported to say about his poetry, that the reader "Should not press the poem too hard. The real meaning is the most obvious."


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Though Frost's poem "The Road Not Taken" seems to be overtly about choices, his poem "Stopping by Woods on a Snowy Evening" is more subtle in it's theme. Both poems express the sense of a journey. The woods in "Stopping by the Woods on a Snowy Evening" appear to represent his freedom, his way out. He stops in the middle of where he came from and where he was going to contemplate the choice he had to make between freedom and obligation. The snow separates him from the forces at either end of his journey. Frost concludes that the theme of this poem discusses the "conflict between obligatory promises, a matter for the head to decide, and the enticements of the feelings." I see it as being the conflict between the head and the heart.


Robert Frost s true strength is in taking the ordinary and making it extraordinary. He acquaints the reader with the theme of seemingly unimportant experiences, in such a way that allows our own lives to take on new meaning. Many times, Frost inserts personal experience into the personality of his characters. The Road Not Taken and "Stopping by Woods on a Snowy Evening" illustrates the relationship created between the poem and the reader. This relationship allows the readers to connect themselves with the poem. Ultimately the choice is ours. As the poem says, "I, I took the one less traveled by, and that has made all the difference."


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Our staff of freelance writers includes over 120 experts proficient in Yet to complete, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Yet to complete paper at affordable prices ! A goal to ex-Magpie Nick Davis in the shadows of the final siren has helped the Sydney Swans secure a memorable victory against Collingwood by 0 points at Telstra Dome on Saturday, 17.7 (10) to 1.11 (8).


In an exciting final stage of the match, the Magpies booted five goals to draw to within 16 points after finding themselves 46 points down three minutes into the last quarter.


Chris Tarrant booted the last three of those to end the night with five majors but Davis ensured Sydney took the four points when he made no mistake after finding space 40 meters out in the left forward pocket.


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After being well beaten by Hawthorn two weeks ago, Sydney coach Paul Roos has orchestrated fighting wins over Melbourne (on Anzac Day) and Collingwood to bring his side back to a - record.


Sydney's victory also condemned the Magpies to their third straight loss, following on from heavy defeats against the Brisbane Lions and Essendon in previous weeks.


The visitors won the game through a brilliant performance from its powerhouse midfield with Paul Williams, Leo Barry and Jude Bolton totally dominant.


This edge helped create opportunities for their forwards, Adam Goodes taking 10 marks and booting three, with Michael O'Loughlin, Barry Hall and National AFL Rising Star nominee Adam Schneider all finishing with two goals.


O'Loughlin's continues to take great strides in his comeback from injury, collecting nine kicks and seven marks in addition to his two goals.


Apart from Tarrant with five, Anthony Rocca was the Magpies' only on the multiple goal-kicker with two.


The Swans made a brilliant start to lead by 17 points midway through the first quarter courtesy of a four goals in a seven minute burst after Jarrod Molloy had opened the scoring for Collingwood.


Tarrant scored the last of the quarter entering time-on to help reduce the margin to just five points at the first break.


The Swans continued to come at Collingwood in the second term, Hall booting the first major of the quarter after taking clean possession from a forward pocket throw-in.


Sydney displayed tremendous courage to run with the ball and take on Collingwood's runners, a brave tactic that unsettled the home side, which began to look increasingly uncertain when in possession.


This uncertainty translated into goals, with Sydney kicking the last two of the quarter and extending its lead to 18 points at the main break.


Whether streaming forward on the break or starting from deep in defence, Sydney's fleet of runners consistently found space and came out of tight situations in numbers, its opponents unable to find a cohesive way through.


The third term opened with a wonderful goal to Goodes, who played on and kicked truly inside 50. Rocca responded immediately for the home side, but the Swans piled on the next five majors to lead by 45 and seemingly have the match in hand.


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Some people go throughout their lives living under a veil, whether it is intentional or not. Here in America, most people choose to live like this without ever knowing there are other options out there. They get up in the morning, go to work, come home and go to sleep. They listen to their music and watch their programs and probably pay attention to the news every day. The problem is, some of those people never question what they have and how it came to be, just that they have their life and that is all that is important. That is what America is all about, doing what you want and being able to ignore all the wrong in the world.


Having this freedom can be considered a fault because too many things are taken for granted. For example; a male in his mid-twenties working for a living, owns his own vehicle, has a nice apartment, high-tech toys for his entertainment. He never has to worry about where his next meal is going to come from or if someone is going to come and haul him off to jail. He believes his government is corrupt and evil, they make his life horrible, yet he won't put in the effort to vote for his politicians. If only he could go live in Iraq for a week under Saddam's rule and learn how hard life can really be, maybe the veil over his eyes would be lifted.


The saying goes, "Don't believe everything you hear." After the World War, people were terrified of anyone who was different. An upstanding citizen could laugh the wrong way and would be termed a communist even when most people didn't understand what that word meant. This happened because the media told the American people what to think. If you were different, then you were evil, and this included works of literature. Just like the Nazi's, groups would get together and burn books right in the street, shouting and cheering like God himself was joining in. Heaven forbid someone should be creative and use their freedom of speech to express themselves. Eventually the book burning stopped, and thankfully the experience inspired some authors to use it to their advantage.


One of these authors was Ray Bradbury and he created a world that just might have happened if things had been different. "Fahrenheit 451," was set many decades after the book burning period. People stopped being themselves so no one would ever get upset, even the Bible was banned because other religions didn't agree with it. Instead of individuals, there was a sad society going from one day to the next doing exactly the same thing. There was no color left, no dreams, no desires, just air. In our world, Fire Fighters are hero's, people who save lives and protect our most prized possessions. In Bradbury's world, fire fighters destroy them by burning any house down that has a book inside of it. They don't even care if people are inside; it is their job to keep the public in line.


Guy Montag was one of these men. He lived his whole life under the veil created around him, never questioning it, just doing what everyone else did. He was married to a woman named Mildred who he had no real connection with, and had never looked up at the stars. Then one day he met a young girl named Clarisse, who was everything he wasn't but wanted to be. She was full of life and joy; she found everything in the world interesting and didn't care what anyone thought of her. Clarisse opened Guy's eyes to the real world, made him want to think on his own instead of following society. She was his savior, and he broke out of that world because of her.


There was a movie made a couple of years ago that had very similar characters to Bradbury's. This movie was called "American Beauty" and the main character's name was Lester Burnham. He was going through life numb, just doing the same routine day in and day out. The difference was his veil covered just his life. He was caught in a marriage with a woman that was just as cold to him as Mildred was to Guy. Lester didn't have anything that made his life worthwhile, until a young girl named Angela came into the picture. Angela would be about the same age as Clarisse, and though their personalities definitely clash, the affects they had on Guy and Lester are very much the same. When Lester saw Angela for the first time, he said, "It's the strangest thing. I feel like I've been in a coma for thirty years and I'm first now waking up(American Beauty)." He began to stand up to his wife, quit his job that he hated, and found something that brought happiness to him. His wife Carolyn was somewhat similar to Mildred where she made the decision to destroy Lester's life, but instead of calling the fire department, she was going to do it herself.


The Burnham's neighbor, Ricky, was probably more like Clarisse overall. He looked at everything and wasn't afraid to be curious, it was all beautiful to him. Life was a wondrous creation he could constantly be caught up in, even a plastic bag dancing in circles for an hour. Ricky did have an impact on Lester, not quite as much as Angela, but he made him want to live life more carefree and open to more possibilities.


Unlike Lester and Guy, some people live under a veil purposefully. They don't want to open their lives up to happiness and new things. One character from John Osborne's play, "Look Back in Anger," lived his whole life this way. Jimmy Porter lived in a tiny apartment with his silent wife, worked a low-paying job, and complained about anything and everything. He was a well educated man who was never happy with anything and liked it that way. Jimmy believed that the only way to feel anything was if it was negative, so he constantly talked down to people about their lives and how small and insignificant they were. He wanted someone with him that would be just as unhappy and opinionated as he was.


Even though Jimmy could take on almost any job he wanted, he chose to stay at a poor one so his life would always be bad. He was against everything rich people were for, creating a constant downfall for him. The thing is he wasn't really for the working class either since he talked down to everyone that wasn't as educated as him. He was bored with his life because his friends didn't have the knowledge to keep up with him, and he wanted nothing to do with the people who would be able to. Jimmy is a hypocrite in wanting the rich to suffer because they have too much. He has everything he wants and yet he closes himself off from enjoying anything. His wife Alison wasn't even enough to open him up.


Alison was an interesting character because she had so many thoughts and feelings she wanted to say out loud to Jimmy, but never opened her mouth until she was at her lowest point. She let him bash her and her family the whole time they were together, all the while knowing that he just wanted her to speak up and think for herself. She was selfish knowing she could control him in the way of him lashing out at everyone. Alison would turn to Jimmy's friend to defend her when all she had to do was talk to him. She kept herself there when she could have had any life she wanted. And when she finally went away, she couldn't stand being away from Jimmy. She was probably more pitiful than Jimmy since she couldn't find her own path, only what others put before her. Neither of them wanted to break out of their sad little life because that was the only way they didn't feel numb.


Everyone has some kind of veil over their eyes, whether they know it or not. When it comes to Americans, too many people choose to never lift that veil and look at what is out there. One main concern is the environment and how we are going to keep it safe. Another is population control for the world. It is important that we are educated on some of these issues at a young age, but no one seems interested in enforcing it. Like Clarisse, someone needs to take a stand and start making a difference, even if it is just to one person. A chain reaction will occur and maybe our planet will survive for another millennium. Otherwise we will just go on with out daily lives and ignore all the things that really matter, and one day our world will end like the city in Bradbury's book. We have to stop living behind this wall, acting like nothing will ever happen. Our world can not end up like Guy's or Jimmy's; we need to have a world full of Clarisse's and Ricky's.


Bradbury, Ray. Fahrenheit 451. The Ballantine Publishing Group, 150.


Osborne, John. Look Back in Anger. Penguin Group, 157.


American Beauty. Sam Mendes. Jinks/Cohen Company. Perf. Kevin Spacey,Annette Benning, and Peter Gallagher. Dreamworks Pictures, 000.


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Our staff of freelance writers includes over 120 experts proficient in Changing Society with IT, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Changing Society with IT paper at affordable prices with custom essay service! Contents


1. GROWING CYBERCULTURES


1.1 INTRODUCING CYBERCULTURE 4


. ETHICS AND PRIVACY RESPONSIBILITY IN KNOWLEDGE MANAGEMENT 0


Do my essay on Changing Society with IT CHEAP !


.1 DEALING WITH ETHICAL DILEMMAS WHILE COMPETING GLOBALLY 1


. MONITORING OUR SOCIAL AND ENVIRONMENTAL SYSTEMS WITH TECHNOLOGY 0


.1 WEATHER MONITORING IN ENVIRONMENTAL STUDIES 1


4. GLOBALISATION AND THE DIGITAL DIVIDE 5


4.1 ACROSS THE DIGITAL DIVIDE 6


5. INTRODUCING INNOVATION


5.1 INTERACTIONS FOR INFORMATION TECHNOLOGY INNOVATION IN FEDERAL STATISTICAL WORK 40


6. IT AND INNOVATION 4


6.1 TECHNOLOGY, INNOVATION AND ECONOMIC PROGRESS 44


7. REFERENCE LIST 47


1. Growing Cybercultures


Week 4. Phillip Mahnken. 18/0/00


Introducing Cyberculture


It was very difficult finding an article on cyberculture. Many search engines and different keyword combinations were used. This journal article was chosen because after many hours of searching, this was the only article that even remotely passed the evaluation criteria. There are a few keywords that are shared in the lecture and the article, for example they both refer to multi-user domains (MUD) "…in a chat room or MOO/MUD…" (00. Mahnken, P). "…a number of virtual environments, including multi-user domains, or MUDs" (000. Silver, D). The main concepts are from two completely different areas of cyberculture. The lecture talks about the origins of not only cyberculture, but also culture in general. It also touches on where technology came from and the misfortunes that have occurred as a result of technology. The journal article is completely about cyberculture. It goes through each stage of cyberculture history, how it came about and how people have studied it. The article seems more relevant to the topic "growing cybercultures' than the actual lecture.


The journal article is quite accurate. It was found through the search edu engine and both the author and editor are affiliated with American Universities. The information appears original, although there is a huge number of works cited. All quotes are properly referenced. These quotes can back up the accuracy of the information in the article, but can question how much of the article is original work. The article is located on the University of Washington's website and this is the second time this piece of work has been published. The author can easily be contacted through the University and being from the Department of Communication, the author would seem qualified to address this topic. The University would have strict control over what is published on their website. The article has a strong objectivity as it is published to help students of the University of Washington and others to understand cyberculture. The number of works cited listed at the end of this article show that it would be very difficult for the author to have a biased or single point of view. This article was published in 000 and although this is quite recent there may be a lot more information about cybercultures available now. This is a very comprehensive article. All aspects are explored in great depth and all information is provided within this website. There are no outside links, but there are links to other areas of the University's site.


1.1 Introducing Cyberculture


http//www.com.washington.edu/rccs/intro.asp


Looking Backwards, Looking Forward Cyberculture Studies 10-000


� David Silver, Department of Communication, University of Washington


Originally published in Web.studies Rewiring Media Studies for the Digital Age, edited by David Gauntlett (Oxford University Press, 000) 1-0.


While still an emerging field of scholarship, the study of cyberculture flourished throughout the last half of the 10s, as witnessed in the countless monographs and anthologies published by both academic and popular presses, and the growing number of papers and panels presented at scholarly conferences from across the disciplines and around the world. Significantly, the field of study has developed, formed, reformed, and transformed, adding new topics and theories when needed, testing new methods when applicable.


In an attempt to contextualize the chapters found in this volume, this essay traces the major works of scholarship on cyberculture from the last ten years, seen in three stages or generations. The first stage, popular cyberculture, is marked by its journalistic origins and characterized by its descriptive nature, limited dualism, and use of the Internet-as- frontier metaphor. The second stage, cyberculture studies, focuses largely on virtual communities and online identities and benefits from an influx of academic scholars. The third stage, critical cyberculture studies, expands the notion of cyberculture to include four areas of study -- online interactions, digital discourses, access and denial to the Internet, and interface design of cyberspace -- and explores the intersections and interdependencies between any and all four domains.


I. Popular Cyberculture


Our disciplinary lineage begins with what I call popular cyberculture, a collection of essays, columns, and books written by particularly wired journalists and early adapters. Starting in the early 10s, these cultural critics began filing stories on the Internet, cyberspace, and the information superhighway for major American newspapers and magazines. Significantly, what began as an occasional column in a newspapers technology section soon became feature articles appearing on the front page, in the business section, and in lifestyle supplements, as well as within the new media/cyberspace beat of many mainstream magazines. Between 1 and 14, for example, Time magazine published two cover stories on the Internet while Newsweek released the cover story Men, Women, and Computers. Moreover, in 14, the second editions of the popular how-to books The Internet for Dummies and The Whole Internet became bestsellers.


The popular cyberculture writings were generally descriptive. Usually required to follow the term Internet with the parenthetical phrase the global computer network system, these journalists had the unenviable task of introducing non-technical readers to the largely technical, pre-World Wide Web version of cyberspace. Accordingly, much of this work included lengthy descriptions, explanations, and applications of early Net technologies such as file transfer protocol, gopher, lynx, UNIX configurations, telnet, and Usenet.


In addition to being overly descriptive, early popular cyberculture often suffered from a limited dualism. As a number of scholars (Jones 17; Kinney 16; Kling 16; Rosenzweig 1) have noted, early popular cyberculture often took the form of dystopian rants or utopian raves. From one side, cultural critics blamed the Net for deteriorating literacy, political and economic alienation, and social fragmentation. For example, Birkerts (14) warned that the Internet, hypertext, and a host of electronic technologies would produce declining literacy and a less than grounded sense of reality. Sale (15) drove home the points he made in his book Rebels Against the Future The Luddites and Their War on the Industrial Revolution Lessons for the Computer Age by smashing computers while on a promotional tour, and Stoll (15), upon shifting career tracks from a cyber-hyper computer hacker to a cyber-griper Cassandra, begged cybernauts to log off, reminding us that life in the real world is far more interesting, far more important, far richer, than anything youll ever find on a computer screen (1).


Conversely, a vocal group of writers, investors, and politicians loosely refereed to as the technofuturists declared cyberspace a new frontier of civilization, a digital domain that could and would bring down big business, foster democratic participation, and end economic and social inequities. While finding platforms within major American newspapers and popular magazines, among nascent organizations like the Electronic Frontier Foundation, and throughout newsgroups, listservs, and Web sites, their primary pulpit was a new line of technozines -- glossy, visually-impairing magazines with names like Mondo 000, bOing bOing, and Wired. Encapsulating the utopian rhetoric of the technofuturists, Wireds publisher Louis Rossetto likened cyberspace to a new economy, a new counter culture, and beyond politics; the magazines executive editor Kevin Kelly proclaimed technology is absolutely, 100 percent, positive (Keegan 15 -4); and contributing editor John Perry Barlow argued with the development of the Internet, and with the increasing pervasiveness of communication between networked computers, we are in the middle of the most transforming technical event since the capture of fire (What Are We Doing Online? 15 6).


Not surprisingly, many politicians joined their ranks. Speaking at a conference in Buenos Aires, Vice President Al Gore (15) remarked


These highways -- or, more accurately, networks of distributed intelligence -- will allow us to share information, to connect, and to communicate as a global community. From these connections we will derive robust and sustainable economic progress, strong democracies, better solutions to global and local environmental challenges, improved health care, and -- ultimately -- a greater sense of shared stewardship of our small planet.


Finally, in addition to its descriptive nature and rhetorical dualisms, early popular cyberculturalists employed the frontier as its reigning metaphor. William Gibson (184) famously coined the term cyberspace in his groundbreaking novel Neuromancer Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators . . . A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity (51). In Neuromancer a new frontier emerges, one whose currency rests less in geographic space and more in digital information.


It did not take long for activists, writers, and scholars to latch on to and reify the metaphor. In the now canonical essay Across the Electronic Frontier, Kapor and Barlow (10) described the Net in the following terms In its present condition, cyberspace is a frontier region, populated by the few hardy technologists who can tolerate the austerity of its savage computer interfaces, incompatible communication protocols, proprietary barricades, cultural and legal ambiguities, and general lack of useful maps or metaphors. The frontier metaphor stuck. Rheingold (1a) observed The pioneers are still out there exploring the frontier, the borders of the domain have yet to be determined, or even the shape of it, or the best way to find ones way in it (58). Rushkoff (14) noted, Nowhere has the American pioneer spirit been more revitalized than on the electronic frontier (5). Whittle (17), discussing the future of the Internet, waxes poetic The pioneers, settlers, and squatters of the virgin territories of cyberspace have divided some of that land into plots of social order and plowed it into furrows of discipline -- for the simple reason that is natural resources can only be found in the mind and have great value if shared (40).


II. Cyberculture Studies


Like most generations, mine bleed. Indeed, a significant portion of our second generation of cyberculture scholarship, cyberculture studies, can be characterized by its descriptive nature, binary dualism, and frontier metaphors, and, as such, could easily be referred to as popular cyberculture. Conversely, some of the early journalists made important explorations into and observations about cyberspace, thereby allowing them membership into the second generation. One such journalist was Julian Dibbell, whose provocatively titled A Rape in Cyberspace; or How an Evil Clown, a Haitian Trickster Spirit, Two Wizards, and a Cast of Dozens Turned a Database into a Society, appeared in The Village Voice in 1. In the article, Dibbell presents the now-endlessly-recounted tale of Mr. Bungle, a member of LambdaMOO (a popular multi-user domain, or MUD) who uses a voodoo doll -- a program that allows one user to control the online actions of another -- to rape, violently attack, and force unwanted liaisons upon a number of LambdaMOOers. Dibbell describes the attack, the violated users emotional reactions, the communitys outrage, and the public discussion of Mr. Bungles punishment, including the possibility of toading, a process by which a MUD wizard turns a player into a toad, eliminating the players identity and description. Noting that the chief wizard of the MUD recently revoked the toading process in an attempt to foster self-governance, Dibbell traces the steps of one user, JoeFeedback, who decides on his own to eliminate the Mr. Bungle character. Besides offering readers a provocative glimpse into the online environment, Dibbell brilliantly portrays the complex individual and social negotiations existing within LambdaMOO, negotiations which, when viewed together, constitute very real identities and communities.


Using Dibbell as a starting point, we can characterize our second generation with a single passage by cybertheorist Allucquere Rosanne Stone (11) who defines cyberspace as incontrovertibly social spaces in which people still meet face-to-face, but under new definitions of both meet and face (85). In other words, while cyberspace may lack for the most part the physical geography found in, say, a neighborhood, city, or country, it offers users very real opportunities for collective communities and individual identities. It is upon these twin pillars -- virtual communities and online identities -- that cyberculture studies rests.


One of the earliest and certainly the most referenced articulators of the virtual communities idea is Howard Rheingold (see his chapter in this book). Building upon Stone, Rheingold (1a) defines a virtual community as


A group of people who may or may not meet one another face-to-face, and who exchange words and ideas through the mediation of computer bulletin boards and networks. In cyberspace, we chat and argue, engage in intellectual discourse, perform acts of commerce, exchange knowledge, share emotional support, make plans, brainstorm, gossip, feud, fall in love, find friends and lose them, play games and metagames, flirt, create a little high art and a lot of idle talk. We do everything people do when people get together, but we do it with words on computer screens, leaving our bodies behind (58).


A few months later, Rheingold published The Virtual Community (1b), a significant expansion upon his earlier essay which would quickly become one of the principal texts of cyberculture studies. In the book, Rheingold provides a brief history of the Internet, a social history of a particular online community -- the Whole Earth Lectronic Link (the WELL) -- and countless examples of online interactions which take place within both the WELL and the Internet. Although the author concludes with a cautionary chapter detailing the potential perils of an overly commodified Internet, online surveillance, and cyber-induced hyper-reality, Rheingolds enthusiasm dominates


We temporarily have access to a tool that could bring conviviality and understanding into our lives and might help revitalize the public sphere. The same tool, improperly controlled and wielded, could become an instrument of tyranny. The vision of a citizen-designed, citizen-controlled worldwide communications network is a version of technological utopianism that could be called the vision of the electronic agora (14).


If Rheingolds The Virtual Community is the first pillar of cyberculture studies, the second is Sherry Turkles Life on the Screen Identity in the Age of the Internet (15). Turkle addresses the idea of online identities by exploring ethnographically a number of virtual environments, including Multi-User Domains, or MUDs. She finds that while some users use cyberspace to repress an otherwise less-than-functional real or offline life, most use the digital domain to exercise a more true identity, or a multiplicity of identities. In each case, users are free to pick and choose genders, sexualities, and personalities within what Bruckman (1) labels an identity workshop.


Like Rheingold, Turkles take on cyberspace is largely enthusiastic. Through a number of case studies, the author reveals how users of MUDs create online identities to help navigate their offline lives. For example, Turkle introduces Ava, a graduate student who lost her leg in a car accident. During her recuperation process, Ava began to MUD, and created a one-legged character. Soon after, her character became romantically involved with another, and they began to make virtual love, or, as it was then commonly referred to, have tinysex. According to Turkle, these online interactions led Ava to become more comfortable with her offline body, leading her to note Virtuality need not be a prison. It can be the raft, the ladder, the transitional space, the moratorium, that is discarded after reaching greater freedom. We dont have to reject life on the screen, but we dont have to treat it as an alternate life either (6).


By the mid 10s, cyberculture studies was well underway, focused primarily on virtual communities and online identities. Further, as a result of the enthusiasm found in the work of Rheingold and Turkle, cyberculture was often articulated as a site of empowerment, an online space reserved for construction, creativity, and community. Fortunately, however, this simplification was matched by the richness found in the nascent fields welcoming of interdisciplinarity. With the growing popularity of user-friendly Internet service providers such as AOL and CompuServe and the widespread adoption of Netscape, by the mid 10s, the great Internet rush was on. Significantly, the introduction of the Web was not only a technological breakthrough but also a user breakthrough. Replacing tricky file transfer protocol and burdensome gopher with a simple, point-and-click graphical interface, the Web helped to foster a less technical, more mainstream Internet populace. Coupled with these technological breakthroughs were academic considerations. In addition to a concerted effort on the part of university administrators to get faculty wired, scholarly conferences, papers, archives, and discussions came online, leading all but the most technophobic academics to the Net.


As expected, new scholars brought new methods and theories. For example, while some sociologists approach virtual communities as social networks (Wellman 17; Wellman et al 16), others employ the sociological traditions of interactionism and collective action dilemma theory (Kollock & Smith 16; Smith & Kollock 1). Within anthropology, scholars began formulating a new subfield, cyborg anthropology, devoted to exploring the intersections between individuals, society, and networked computers (Downey & Dumit 18; Escobar 16). Researchers from a related field, ethnography, took their cue from Turkle and began to study what users do within diverse online environments, ranging from online lesbian bars and Usenet newsgroups to Web-based tele-gardens and online cities (Baym 15a, 15b, 17; Correll 15; McLaughlin et al 17; Collins-Jarvis 1; Silver 000).


At the same time, linguists began to study the writing styles, Netiquettes, and (inter)textual codes used within online environments (Danet et al 17; Herring 16a, 16b, 16c). Similarly, feminist and womens studies researchers have used textual analysis and feminist theory to locate, construct, and deconstruct gender within cyberspace (Cherny & Weise 16; Consalvo 17; Dietrich 17; Ebben & Kramarae 1; Hall 16). Further, a collection of community activists and scholars began to explore the intersection of real and virtual communities in the form of community networks, including the Public Electronic Network (PEN) in Santa Monica, California, the Blacksburg Electronic Village (BEV) in Blacksburg, Virginia, and the Seattle Community Network (SCN) in Seattle, Washington (Cisler 1; Cohill & Kavanaugh 17; Schmitz 17; Schuler 14, 16; Silver 16, 1, 000).


III. Critical Cyberculture Studies


By the late 10s, the study of cyberculture had arrived. Indeed, in the second half of the 10s, many academic and popular presses have published dozens of monographs, edited volumes, and anthologies devoted to the growing field of cyberculture. Reflecting this growth, recent scholars take a broader view of what constitutes cyberculture. No longer limiting the field to merely virtual communities and online identities, a third generation of scholarship, or what I call critical cyberculture studies, has emerged. As with all emerging fields of study, the landscape and contours of critical cyberculture studies are, at best, chaotic and difficult to map. That said, I wish to argue that critical cyberculture studies contains four major areas of focus, each, as we will see, interdependent on one another.


As revealed in the last few pages, the perspectives and priorities of the first and second generations of cyberculture scholars differ significantly. Instead of approaching cyberspace as an entity to describe, contemporary cyberculture scholars view it as a place to contextualize and seek to offer more complex, more problematized findings. In general, four dominant areas of focus have emerged. Taken together, these areas serve as the foundation for critical cyberculture studies


· Critical cyberculture studies explores the social, cultural, and economic interactions which take place online;


· Critical cyberculture studies unfolds and examines the stories we tell about such interactions;


· Critical cyberculture studies analyzes a range of social, cultural, political, and economic considerations which encourage, make possible, and/or thwart individual and group access to such interactions;


· Critical cyberculture assesses the deliberate, accidental, and alternative technological decision- and design-processes which, when implemented, form the interface between the network and its users.


Critical cyberculture studies, in its most rich manifestation, explores the intersections between any and all four of these focal points.


Contextualizing Online Interactions


While critical cyberculture studies scholars acknowledge the importance of virtual communities and online identities, they take a step back and contextualize their topics. For example, Jones (15) sets the stage for what could be called the social construction of online reality. Unlike so many cyberculturalists who approach their topic as a brave new world, Jones contextualizes cyberspace within the more traditional paradigms of communication and community studies, including James Careys work on the electronic sublime, James Benigers notions of pseudo-communities, and David Harveys theories of postmodern geographies. From there, the author reminds us of the cultural construction of cyberspace and warns us not to celebrate uncritically its potential. Two years later, Jones (17) continued this necessary process of contextualizing by problematizing some of the key definitions and directions of cyberculture studies. Drawing upon the work of Benedict Anderson, Richard Sennet, and, once again, James Carey, Jones historically locates popular rhetoric heralding the Nets potential to transcend time and space. Next, commenting upon Rheingolds The Virtual Community, he questions the all-too-unproblematized notion of virtual communities. Substituting Neo-Luddism with critical caution, Jones calls for a healthy re-evaluation of cyberspace, noting that the Internet is another in a line of modern technologies that undermine traditional notions of civil society that require unity and shun multiplicity while giving impressions that they in fact re-create such a society (5).


In addition to contextualizing virtual communities and online identities, many scholars have gone beyond merely recanting the findings of Rheingold and Turkle to make critical explorations and discoveries of their own. For example, McLaughlin et al (15) attempt to establish general, online codes of conduct by collecting all messages posted to five newsgroups within a three week period and analyzing them for normative discourse. From the data, they deduce seven categories of reproachable behavior, including novice use of technology, bandwidth waste, ethical violations, and inappropriate language. Next, they note the ways in which rules of conduct on Usenet as currently constituted can be understood as a complex set of guidelines driven by economic, cultural, social-psychological, and discursive factors (107). Much more than a simple set of netiquette, the authors findings trace the intricate parameters and factors that help to support the relative success or failure of online communities. Similar scholarship (Kollock and Smith 16; MacKinnon 18, 17, 15; Phillips 16) focuses on the parameters and punishments that serve to establish acceptable and unacceptable behavior within online environments.


At the same time, Baym (15) has used ethnographic methods to better understand the nature of virtual communities. Baym explores the well-trafficked Usenet newsgroup rec.arts.tv.soaps, or r.a.t.s., and suggests that online communities emerge out of a complex intersection between five factors external contexts, temporal structures, system infrastructure, group purposes, and participant characteristics. Applying such factors to r.a.t.s., Baym concludes that


participants in [computer-mediated communication] develop forms of expression which enable them to communicate social information and to create and codify group-specific meanings, socially negotiate group-specific identities, form relationships which span from the playfully antagonistic to the deeply romantic and which move between the network and face-to-face interaction, and create norms which serve to organize interaction and to maintain desirable social climates (161).


Another important yet largely unexplored element of contextualizing online interactions is to trace the history and development of virtual communities. While past scholars approached online communities as already existing digital environments, critical cyberculture studies scholars (Dibbell 18; Horn 18; Silver 16, 1) have begun to analyze their brief yet crucial histories.


Discoursing Cyberspace


Like all forms of culture, cyberculture is, in part, a product of the stories we tell about it. Indeed, the tales we tell over coffee, read in Wired, Newsweek, and The New York Times, and watch in movies like The Net, The Matrix, and Disclosure inform the ways in which we engage in cyberculture. Further, these stories -- and lack of stories -- can potentially discourage and dissuade would-be cybernauts from going online. Thus, for some scholars (Borsook 16; Sobchack 1; Ross 11), cyberspace is not only a site for communication and community but also a generator of discourse, a very real and very imagined place where a variety of interests claim its origins, its myths, and its future directions. As many third generation cyberculture studies scholars have noted, two disturbing discourses of cyberspace have emerged the Net as frontier and cyberspace as boystown.


For example, Miller (15) notes the ways in which the Net-as-frontier metaphor serves to construct cyberspace as a place of manly hostility, a space unsafe for women and children. She argues the idea that women merit special protections in an environment as incorporeal as the Net is intimately bound up with the idea that womens minds are weak, fragile, and unsuited to the rough and tumble of public discourse (57). Further, as Doheny-Farina (16) argues, the metaphor reinvokes the American myth of the individual and conjures up traditional American images of the individual lighting out from the territories, independent and hopeful, to make a life (16).


In addition to the Net as frontier metaphor, a dominant discourse found in magazines and movies is cyberspace as boystown. Understanding cyberculture to be not only online interactions but also the stories told about such interactions, scholars have performed feminist readings on such technozines as Wired and Mondo 000. For example, Borsook (16) analyzes the ways in which the trendy magazine has appropriated countercultural themes in the name of testosterone-driven commercialism


Wired has consistently and accurately been compared in the national media to Playboy. It contains the same glossy pictures of certified nerd-suave things to buy -- which, since its the nineties, includes cool hand-held scanners as well as audio equipment and cars -- and idolatrous profiles of (generally) male moguls and muckymucks whose hagiography is not that different from what might have appeared in Fortune. It is the wishbook of material desire for young men (6).


Online Access and Barriers


While cyberculture studies celebrates the existence of online communities, critical cyberculture studies seeks to better understand their participants. Although important work in the field of online marginality has begun, much more is needed. Indeed, while scholars from across the disciplines flock to the general topic of cyberculture, few have made their way into the margins to explore issues of race, ethnicity, and sexuality online.


One step in the right direction is the work of the National Telecommunications and Information Administration, or NTIA, an agency of the U.S. Department of Commerce. In a three-part series of studies titled Falling Through the Net, the NTIA examines what they call the digital divide, a growing gap between information haves and have-nots, and the economic, social, cultural, and geographic elements contributing to the gap. For example, in Falling Through the Net A Survey of the Have Nots in Rural and Urban America (15), the NTIA concludes that class, race, age, and education contributed significantly to online access. In Falling Through the Net II New Data on the Digital Divide (18), the NTIA expanded their study to find that although Americans, as a nation, accessed the Internet in increasing numbers,


the digital divide between certain groups of Americans has increased between 14 and 17 so that there is now an even greater disparity in penetration levels among some groups. There is a widening gap, for example, between those at upper and lower income levels. Additionally, even though all racial groups now own more computers than they did in 14, Blacks and Hispanics now lag even further behind Whites in their levels of PC-ownership and on-line access.


Finally, in Falling Through the Net Defining the Digital Divide (1), the NTIA reveals that the digital divide had increased further, leading Larry Irving, assistant secretary of Commerce for Telecommunications, to remark Americas digital divide is fast becoming a racial ravine. As before, the report notes that while Americans, as a nation, continue to flock to the Net, disparities based on race, class, and region contribute to the growing gap between information haves and have-nots.


In addition to the barriers discussed by the National Telecommunications and Information Administration, there are other, more cultural ones. Performance artist and writer Guillermo Gomez-Pena (16) recounts his and his collaborator Roberto Sifuentes 14 entrance into cyberspace, a digital space already largely settled by ethnocentrism


We were also perplexed by the benign (not naive) ethnocentrism permeating the debates around art and digital technology. The unquestioned lingua franca was of course English, the official language of international communications; the vocabulary utilized in these discussions was hyper-specialized and depoliticized; and if Chicanos and Mexicans didnt participate enough in the Net, it was solely because of lack of information or interest (not money or access), or again because we were culturally unfit (178).


Along similar lines, Bailey (16) argues that shared customs such as netiquette and acronyms constitute newbie snobbery, producing an unwelcoming terrain for marginalized cultures. He notes The Net nation deploys shared knowledge and language to unite against outsiders Net jargon extends beyond technical language to acronyms both benign (BTW, By the way) and snippy (RTFM, Read the fucking manual). It includes neologisms, text-graphical hybrids called emoticons, and a thoroughgoing anti-newbie snobbery. Like any other community, it uses language to erect barriers to membership (8).


This is not to suggest that traditionally marginalized cultural groups have not taken to the wires as a means for communication, community, and empowerment. Indeed, a number of contemporary cyberculturalists explore marginalized cultural groups attempts to establish self-defined, self-determined virtual spaces. For example, Mitra (17) analyzes the discursive practices of contributors to the Usenet newsgroup, soc.culture.indian. While acknowledging strong segmenting forces, especially when users crosspost messages to soc.culture.pakistan, Mitra argues that the online community generates centralizing tendencies for Indian users these diasporic people, geographically displaced and distributed across large areas, are gaining access to [internet] technologies and are increasingly using these technologies to re-create a sense of virtual community through a rediscovery of their commonality (58). Other scholars (Shaw 17; Correll 15) make similar arguments regarding gay and lesbian online communities.


As many scholars have noted, males tend to dominate online discussions, regardless of the topic. Recently, however, female users have countered this domination -- not to mention hostility -- by creating online spaces of their own. As Camp (16) recounts, Systers, a mailing list of women in computer science and related disciplines, was established in response to male-dominated discussions about women taking place in Usenet newsgroups like soc.women. The solution was to withdraw to a room of our own -- to mailing lists (115). Able to control and moderate the list, members of Systers discuss the issues most relevant to them. These online spaces also include, of course, the Web. These sites are as diverse as the population they hope to represent, ranging from academic sites like the Womens Studies Database (www.inform.umd.edu/EdRes/Topic/WomensStudies) and the Center for Women and Information Technology (www.umbc.edu/cwit), to hipper, do-it-yourself sites like geekgirl (www.geekgirl.com.au) and AngstGrrl! (www.angstgrrl.com). Not to be left out of growing markets, feminist-leaning Web sites like iVillage.com (www.ivillage.com), Oxygen (www.Oxygen.com), and Women.com (www.Women.com) fuse timely womens issues with targeted cyber-marketing.


Digital Design


Second generation cyberculturalists admirably explored the kinds of communities and identities found on the Internet. Yet too often they all but ignored the ways in which the digital design of online spaces informs the types of interactions made possible. One exception is the significant attention literary scholars paid to hypertext, or what is commonly refereed to as hypertext studies. Focusing more on early hypertext software like HyperCard than on online networks such as the Internet and the Web, hypertext scholars (Bolter 11; Landow 1, 14) compared the new media to contemporary critical theory and considered the ways in which hypertext reconfigures the text, writer, and reader.


More recently, however, conversations between computer scientists, community activists, and ethnographers have produced new insights into the complex relationships between humans and computers. Commonly referred to as human-computer interaction, or HCI, such work approaches the interface as a critical site for interaction. The design of an interface -- as designers have known for years -- can have a substantial impact upon the relative success of a sites intentions. For example, as Kollock (16) notes in Design Principles for Online Communities, online environments should be designed to encourage user cooperation, maintain a community-based institutional memory, and include elements of the physical environment through which users travel. Currently, a number of scholars (Baecker 17, Kim 1) are developing models for discussing and assessing online interfaces. The pursuit has also been one of the key sites of study for a number of research institutes, including the Graphics, Visualization and Usability Center (www.cc.gatech.edu/gvu) at the Georgia Institute of Technology, the Human-Computer Interaction Lab (HCIL) (www.cs.umd.edu/hcil) at the University of Maryland, and the Knowledge Media Design Institute (www.kmdi.org) at the University of Toronto.


Issues of design and participation come together in the relatively new field participatory design, an approach pioneered in Scandinavia and currently making waves in the United States. As Schuler and Namioka (1) note, participatory design represents a new approach towards computer systems design in which the people destined to use the system play a critical role in designing it (xi). With support from the Computer Professionals for Social Responsibility, participatory design has been debated and adopted by both scholars and designers (Muller et al 1; Shneiderman & Rose 17; Trigg et al 14).


Conclusion Bringing it All Together


As previously noted, critical cyberculture studies at its best does not focus simply on one of its four key areas. Instead, it seeks to comprehend the relationships, intersections, and interdependencies between multiple areas. To better understand this point, we turn quickly to the work of Nakamura (1) and Collins-Jarvis (1). Brief yet penetrating, Nakamuras Race In/For Cyberspace Identity Tourism and Racial Passing on the Internet, explores the ways in which race is written within the popular MUD, LambdaMOO. She observes that while users are required to specify their genders, there is no such option for race It is not even on the menu, Nakamura notes (444). Instead, the formation of racial identity is limited to the selection of already-established characters. Focusing specifically on Asian identity formation, Nakamura notes that the vast majority of such characters -- Mr. Sulu, Bruce Lee, Little Dragon, and Akira, for example -- fall within familiar discourses of racial stereotyping The Orientalized male persona, complete with sword, confirms the idea of the male Oriental as potent, antique, exotic, and anachronistic (445).


Countering optimists who view cyberspace as a space where race does not matter, Nakamura argues that not only does it matter, but it has been designed out of the network, or what I call routed around. Significantly, this process is largely a design issue; the interface of LambdaMOO is designed without race-based user identities. Instead, users are forced to assume one of the default identities -- identities which for Asian Americans reinforce stereotypes. Nakamuras work is important, therefore, because it reveals the interdependent relationships between interface design and user identities.


The issues of access, discursive communities, and insider/outsider dynamics come together in an article on one of the first community networks in the world, Santa Monicas Public Electronic Networking system, or PEN. In her article Gender Representation in an Electronic City Hall Female Adoption of Santa Monicas PEN System, Collins-Jarvis examines the reasons why the percentage of female PEN users (0 per cent) was, for the early 10s, unusually high. Significantly, Collins-Jarvis offers three answers PENs public terminals, the availability of socially- and politically-related discussions and forums related to female interests, and the ability for women to take part in the networks design and implementation.


According to Collins-Jarvis, female users of PEN required not only access to get involved, they also needed a reason to participate Computing systems which appeal to womens norms and interests (e.g. by providing a channel to enact participatory political norms) can indeed increase female adoption rates (61). Further, when faced with often hostile flaming and a dearth of women-specific forums, female users of PEN assumed the responsibility of reinventing rather than rejecting the network. This reinvention took the form of creating a number of conference topics and user groups devoted specifically to issues of their own. Like Nakamura, Collins-Jarvis correctly understands online interactions to be a product of many offline factors, including design, content, and outreach.


As Nakamura and Collins-Jarvis suggest, cyberculture is best comprehended as a series of negotiations which take place both online and off. In this light, it is crucial to broach issues of discourse, access, and design. In the new millennium, it is the task of cyberculture scholars to acknowledge, reveal, and critique these negotiations to better understand what takes place within the wires.


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. Ethics and Privacy Responsibility in Knowledge Management


Week 5. Dr John Janzekovic. 5/0/00


Dealing with Ethical Dilemmas While Competing Globally


Both the lecture and article have definitions for ethics. Although the wording is quite different, both definitions mean the same thing. "(1) Careful reflection upon issues of right and wrong and on questions of whether given actions will enhance or diminish human happiness or well-being. () The results of that reflection, expressed as rules or as a code" (001. Smith, D). This definition is far more complex than the one in the lecture. "Ethics are standards of behaviour deemed to be acceptable within a society. "Ethics' does not necessarily mean the same thing to everybody" (00. Janzekovic, J). There are many of the same keywords used because they both describe similar concepts, for example the lecture states "A General Professional Code of Ethics for the workplace Maintain a high standard of professional behaviour in your dealings with your employer, your colleagues, and your clients. Avoid situations that create a conflict of interest. Do not violate the rights or privacy of others…" (00. Janzekovic, J). A simplified version of this from the article is "Key ethical principles for business Honesty Respect for persons (respect for human dignity) Fairness" (001. Smith, D).


This article is from the Business Ethics Organisation's website and was a speech for the council for Ethics in Economics presented at the Kent State University. All quotes throughout the article are not correctly referenced and there is no bibliography, however because this is a copy of a speech this information would not be expected. It is all original information on the website. There are no actual qualifications listed for the author/speaker, but it can be presumed authoritive because of the audience and organizations affiliated with this speech. This article is biased towards building a better understanding of global business ethics. It sways the audience to think and behave more ethically and to be aware of different ethical expectations in different countries. In this way, the article still holds objectivity. This speech was presented in early 001. It is still very up-to-date and full of useful information. It is a very large article and covers all topics of ethics in business, particularly global business, in great depth.


.1 Dealing with Ethical Dilemmas While Competing Globally


http//www.businessethics.org/kent.pdf


Council for Ethics in Economics �001


Pilliod Lecture Kent State University February 1, 001 David C. Smith


I am honored by the invitation to speak to you this evening about global business ethics. Business leaders in our country and every other part of the world are struggling to realize the vast opportunities opened by the global economy, and to meet the challenges of keen competition that have emerged from the globalization of commerce and capital investment. Within the fast-changing relationships of the global economy, finding agreement on ethical standards and principles presents important opportunities and problems. What shall count as ethically acceptable business practice in a global economy on a fragile planet? How shall ethical practices be implemented when national or international enforcement mechanisms are weak and not everyone is playing by the same ethical rules?


In both economic and human terms, much is at stake in how these issues are resolved. As commerce and capital are globalized, will the benefits of a global economy enhance the prospects for the vast majority of the world's people? Or will patterns of exploitation be exacerbated? If we can establish a global economy marked by rising opportunity, justice, and respect for human dignity, we can hope that social and international tensions will be reduced. On the other hand, if corruption, coercion, exploitation, and dishonesty triumph, we can anticipate that mistrust, social unrest, and calls for authoritarian remedies will increase.


As managers and leaders of companies doing business in a global economy, most of you will face decisions that have�in small or not-so-small ways�significant consequences for the present or future welfare of persons. That is to say, you will face ethical choices in your economic life. (I'll return in a moment to the definition I just introduced.) While companies that have been successful in the long run have always valued integrity and high standards of ethics, I believe that, in the global economy, successful managers will, more than ever, need good ethical imagination and solid analytic skills �not for the sake of appearance but as essential management skills. So, in addressing you this evening about global business ethics, I hope that I am not just speaking "about" some important issues or developments of our times, but introducing a framework that you will find useful in developing or teaching these important competencies.


_____


To create this framework, we must try to cover a good deal of territory. Here's a quick road map of my presentation.


Global Business Ethics


I. Definition of ethics


II. An ethical framework for global business


III. Examples of ethical issues


IV. Corporate policies, reporting, building consensus


We begin by offering a general definition of ethics�as ethics applies to all of us in our relationships with others. Then I'll move quickly to an ethical framework that comes into play when we're addressing issues of global business. This involves (1) some key ethical concepts and () several intermediate steps in moving from individual to organizational responsibility. Third, I'll offer a few illustrations of ethics problems in global business, attempting to show how key principles apply to typical situations�you will be familiar with many of the issues. I then want to look in more detail at what businesses are doing to promote ethics in a time of globalization� in terms of company policies, social reporting, and building ethical consensus.


Ethics


(1) Careful reflection upon issues of right and wrong and on questions of whether given actions will enhance or diminish human happiness or well-being.


() The "results" of that reflection, expressed as rules or as a code.


Broadly speaking, I understand ethical choices to be those that have positive or harmful consequences for persons, including ourselves.


Our careful thinking is framed by our values personal, professional, organizational. Ethics, as a form of think-Business ethics application of ethical reflection and principles to business situations.


Business ethics is not a different system of ethics!


Key ethical principles for business


• Honesty


• Respect for persons (respect for human dignity)


• Fairness


This broad definition means that many business decision-issues are ethical issues.


Others include the Japanese concept of kyosei, which means, "working and living together for the common good." The "payoff" of ethics is trust.


The Foundations of Trust


Decisions and actions that advance the norms (standards) of fairness, honesty, and respect for intrinsic human dignity build trust.


Decisions and actions that are not in accord with these norms hurt others and ourselves.


TRUST = Fairness, Honesty, and Respect for Human Dignity.


So, this is my basic model of ethics.


Transition to a framework for global business ethics


We then move rather quickly to the application of these principles to global business. There are a number of important intermediate steps, to which I cannot do justice in this brief interval. Let me simply mention five such issues.


Ethics and Global Business


• Personal ethical competency


• Ethical and legal responsibility


• Individual and organizational responsibility


• Stakeholder theory of ethical obligation


• Human rights as ethical mandates


(1) Ethics and character. When I address a group about business ethics, I occasionally get the comments Why do we need ethics experts. Why don't we all just "Do the right thing?" This criticism is directed against business people who seem to have good technical skills but are ethical idiots.


Well, of course it's not really that simple. Naturally, doing the right thing is important, but "the right thing" is not always obvious. For example an employee has broken a key rule of an organization. Some discipline is in order, but what? Dismissal? Reprimand? What is fair? This requires judgment, imagining consequences.


Personal Ethical Competency


Character Decision-making skills


Together, character and analytic skills create ethical competency.


() Ethics and the law. They are not the same. Both have a role in building good global business conduct. Both have advantages and disadvantages.


Global Business Conduct Legal Ethical


1. Adequate decisions and policies Compliance Exercise ethical responsibility


. Resources for global business conduct U.N. Declaration on Human Rights Foreign Corrupt Practices Act (U.S.) Corporate codes, values Please note that this sample paper on Changing Society with IT is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Changing Society with IT, we are here to assist you. Your cheap research papers on Changing Society with IT will be written from scratch, so you do not have to worry about its originality.


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