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MSPaint and Adobe Photoshop are both great graphic programs, but MSPaint is often shadowed by Adobe Photoshop. I feel that MSPaint is just as good as Photoshop, because you can get the same quality of art from both programs, layers are not needed to make good works of art, and the number of tools in MSPaint can do just as much as the large ammount of tools in Photoshop.

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Our staff of freelance writers includes over 120 experts proficient in Moby Dick, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Moby Dick paper at affordable prices ! An allusion is a reference to a well-known person, place, event, literary work, or work

of art. Writers often use biblical and mythological allusions to which their readers are

familiar. In Moby Dick, Herman Melville frequently uses biblical and mythological allusions.

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exposed to the wisdom and knowledge Melville possess.

The first allusion appears in the first line of the novel. "Call me Ishmael." Ishmael was

the biblical son of Abraham and his servant Hagar. He was disowned in favor of Isaac,

Abraham's son with his wife Sarah. An angel prophesied to Hagar. "his hand shall be against

every man, and every man's hand against him." The name "Ishmael" has since become used

commonly for an outcast, which is appropriate since he is inexperienced when it comes to

whaling and is viewed as AN outcast to the other sailors upon the Pequod.

Another biblical allusion is of the prophet Elijah and Captain Ahab. Elijah WARNS

Queequeg and Ishmael of Ahab. Ishmael says he and Queequeg ARE boarding the Pequod

because they have just "signed the articles" and Elijah responds "Anything down there about

your souls. This conflict between Elijah and Ahab goes all the way back to the bible. I Kings

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"the dogs shall eat Jezebel by the wall of Jezrell". This allusion is significant for

foreshadowing the destruction of the Pequod. In Moby Dick the characters names are not so

different than names in the Bible and neither is the outcome of those characters so different.

Melville not only used a number of biblical allusions in Moby Dick, but he also used

many mythological allusions. He used Greek mythology in describing the tattooing on the

Queequeg. "The counterpane of the patchwork, full of odd little parti-colored squares and

triangles, and this arm of his tattooed all over with an interminable Cretan labyrinth of a

figure". The Cretan labyrinth was the maze, which imprisoned the half-bull, half-human

Minotaur. This adds immensely to the visual imagery of Queequeg. Being able to imagine this

large, black harpoon with a "Cretan labyrinth of a figure" the reader has a more appealing

and specific picture of him.

Another mythological allusion Melville used in Moby Dick is mentioned of the Fares.

Ishmael justifies his boarding the Pequod when he says, "I should now take it into my head

to go on a whaling voyage, this the invisible police officer at the Fates, who has constant

surveillance of me, and secretly dogs me, and influences me in some unaccountable way…".

The Fates are the three goddess who control life and human destiny, Clotho spins the thread

of life, Lachisis determines its length, and Attropos cuts in off". Melville creates a much more

intellectual statement than if he were to say, "I decided to go on a whaling voyage because I

felt like it"

There are many more allusions in Moby Dick. Melville effectively shows the reader his

intelligence. The allusions in Moby Dick are to commonly known people and conflicts. This

makes the novel easier for the reader to comprehend.

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Our staff of freelance writers includes over 120 experts proficient in My favorite sports ---badminton, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your My favorite sports ---badminton paper at affordable prices ! When I was a child,I just a primary school student,My father send me a pair of badminton bats as the birthday present ,the bats are made of woods,It¡¯s so simple and can not compare to any the luxurious bats now.From then on,I became to like such a sports,at first ,playing badminton is just for funny,or get warm in winter,in front of my house ,there is a yard ,without the net,knowing nothing about the regulation,but we were still happy enough through the game.

¡¡¡¡Maybe in those times,I was cultivated the interest of badminton,when I grow up,playing badminton is one of my hobbies. Badminton gives me much pleasure than anyother sports in my life. Playing badminton needs comprehensive body ability, ou should be flexible, nimble, durable ,smart, t¡¯s a game full of skill and physical strenth.You should run and jump aroud the ground,It ¡®s a good way to exercise and helpful to health .

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Our staff of freelance writers includes over 120 experts proficient in Italian essay nedde, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Italian essay nedde paper at affordable prices ! By the end of the Middle Ages in the14th century, a new belief of nationalism appeared in Europe. Simultaneously, the feudal system was crumbling. The Hundred Year War helped develop nationalism, because the commoner had become more of a necessity in battle, thus making the nobility a less significant force. The peasants revolts, due to many economic and social problems of the day, weakened the feudal system by giving more power to the commoners, which in turn reduced the gap between the rich and the poor. Also, the commoners loosing faith in the church, because of the coruption in it made them turn from from the church, and towards their new found nation.

The hundred year was a major cause that led the nationalistic movement. While fighting the war soldiers, who many were commoners, started to become more and more important. The commoners were used as footsoliders and were a very effectice force when tought how to use the new weaponary that came about during this time. The long bow was a deadly which the pesants used, it would destroy the enemines knights, by killing their horses beneath them. Also during the war the peasant became very loyal to thier King, and they began to think that they were one as a whole. With the idea as they are a whole, they developed the idea of they were a nation. This is personified by the letter that Joan of Arc, a French commoner wrote to the king of England and other nobility. In this letter she mentions that she wants the English out of her nation of France, and that she is willing use force to get them out. This was a commoner talking to the King of England as if they were equals. The idea of nationalism implied in the letter and basically says that, we French are sick of the English in France and we want you out and are willing to go to war to drive you out.

War also cost the king a lot of money. So the king had to go to the pesants to get funds for the war. When he needed more money to fight the wars he taxed the lower class. As the wars went on the peasants were taxed more and more, which eventually led to the peasants revolting.

The feudal system, which was what everything in Europe was based on, started to collapse when the peasants started to revolt. There were many factors which caused the peasants to revolt. One major factor was taxation. In England alone, the peasants had to pay four new taxes in a five year span. As the nobility and the king got richer, the poor got poorer. The lower classes were over worked and paid meager wages. The peasants decided that they wouldnt take it any longer. The peasants began to attack the tax collectors, who happened to be nobility. They blamed this problem on the nobility, and all this time they still loved their king. They thought that he had nothing to do with it. With the revolts the peasants gradually received more power and respect from the nobility and the king, and they were also beginning to be feared because they were the majority of the population. The revolts led to the enpowerment of the common man. With this new found power and respect the gap between the rich and the poor became less. And the feudal system began to crumble even more. With the collapse of the feudal system, the people turned to idea of nationalism more and more.

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With the people turning to nationalism, they turned away from the church. The church had once been the most powerful aspect in all of Europe. The church had control of everything. The people loved the church because it was their direct connection with God, and it was one of the lower classes only form of entertianment. Once problems in the church began to arise, the people backed away from the church, with no one to turn to. So they ended up turning to their king. There were many contributing factors to why the people turned away from the church. One is that during the Black Plague the church refused to fulfill the sacraments. The people became outraged, they had given so much money to the church and now they refused to fulfill a loved ones sacraments. Also people started to listen and go to people like Catherine of Sienna, who was a saint and supposedly stigmatic. She tried to fill the void which the church had left. And people started to listen to men like John Wyclif. John Wyclif who was a preacher at Oxford University, and said that the priesthood should not be have any authority over the people. He also stated that the church is corrupt and that no mortal man can perform miracles, God alone can only do that. With that people started to loose faith and the church began to collapse, and the people looked for leadership and found thier king, and with that idea of a nation is formed.

With the new idea of the nation formed, future history is greatly affected. More wars are fought for the betterment of the nation. Countries are formed within the nations. And with the countries come the expansion of the countries with colonies. And more wars are fought. People eventually gain more rights and freedom. More wars are again fought to protect peoples freedom and for the nations own national intrest. All of this stems from the formation of nationalism and the nation.

There were many factors that led to the formation of nationalism. War and the idea of us, not them helped to establish the foundation of nationalism. The idea that you are fighting for your King and your nation. Also the revolting peasant were a contributing factor to destroying of the old idea of the feudal system, which led way for the nationalistic movement to grow. Finally the people loosing their faith in the church and turning to the king for new leadership. All of these factors contributed to the rise of the new idea of nationalism and the nation.

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At the western edge of America, where the continent falls into the Pacific as it follows the sun, the coast has always seemed an image of Eden, a garden of earthly delights. "There is an island called California, on the right hand of the Indies, very near the Earthly Paradise," wrote a 16th century Spanish fantasist in a novel that gave the Golden State its name. California, and other stretches of North America's Pacific shore, would become the fated and fateful destinations of adventurous journeys westward by European settlers, cowboys, miners, Forty-Niners and dreamers. There the travellers would pass, or so they hoped, from their old lives � and the Old world � into a heaven on earth.

In spite of the seemingly inexorable European settlement of the Pacific Coast, there are strangers in the Western paradise. Other peoples, too, have sought the "good country," though instead of crossing the continent, they have crossed an ocean; instead of looking back to Europe, they trace their bloodlines to Asia. They blend in � and yet they do not. Today Anglos in the North American West � in the U.S. and in Canada � are discovering that they have Asian shadows, that the Pacific Coast has become a subcontinent of peoples and cultures that mirror one another in a vague, amorphous antagonism. With Asians bringing vitality and a renewed sense of purpose to the region, is history repeating itself with a twist? Is this the rewinning of the West � by Korean entrepreneurs, Japanese financiers, Indian doctors, Filipino nurses, Vietnamese restaurateurs and Chinese engineers?`

Yet even as they stake their claims to the North American West, Asian migrants are encountering problems racism, the ambivalence of assimilation, the perils of prosperity, ethnic jealousies and the sometimes dire inequities that come with a laissez-faire society. Asians in general are still strangers in the Western paradise, and they are keenly aware of their status.

Many have found prosperity in their new home. Yet there is no pan-Asian prosperity, just as there is no such thing as an "Asian-American." There are comfortably middle-class, fourth-generation Japanese Americans, and there are prospering new immigrants from Taiwan and Hong Kong and South Korea, all driven by an admirable work ethic. There are also fragmented Filipino families headed by women, and Hmong tribesmen who know little of technology and find themselves dependent upon public assistance. "There are people without hope in the Asian-American community," says Michael Woo, the lone Asian member of the Los Angeles city council. It is a notion that probably sounds strange to those whose only awareness of Asian Americans is of whiz-kid scholars and hardworking greengrocers.

The economic success of some Asians works against others. Labeled a "model minority" rather than a group of separate communities requiring specific kinds of help, Asian Americans are often shut out of affirmative-action programs, even though many Indochinese refugees are in dire of need them.

Paradise is paradise, but it has turned out to be less than perfect and more than a little disconcerting. What was it they set out to find, and why is it yet to be found? Even as their numbers � and their economic and political influence � expand on the Pacific Coast, Asian immigrants are pondering those very questions.

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Our staff of freelance writers includes over 120 experts proficient in An analysis of Livy's account of the reign of Tarquin the Proud and the features which make its historical reliability doubtful., therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your An analysis of Livy's account of the reign of Tarquin the Proud and the features which make its historical reliability doubtful. paper at affordable prices ! Though marked as probably being a true historical figure, unlike the mythic legend of Rome's purported founder and first King Romulus, Livys account of the last Tarquin, Superbus' reign and deposal is questionable for a number of reasons.

Livy was writing of a time far before his own existence and the records of it are incomplete and not possible to be trusted as true historical documentation, because of this Livys history appears to be made up of stories that work as moral vignettes which he uses to demonstrate to the Roman people the correct and proper order of life. These are themselves modeled on a Greek mythic tradition casting further doubt on their truthfulness as historical documents. Livys own life experience informs his work to the degree that he looks back on the 100 years of civil war that his country has just come out of and uses his retelling of the regal period in Rome to support his own contemporary pro-senatorial views.

Livy himself admits in the preface of his work that "these matters are enveloped in obscurity both by reason of their great antiquity…and also because written records…were…few and scanty."(Livy, 6.1) His honesty about this and the fact that there were no written records of Rome's history before about 00BC(Wiseman,16 pp.11) marks his entire work as questionable but there are clearer instances of fabrication and cause for doubt among the many tales he weaves. His book one was probably published at about 7BC and the Roman way of life was still unsettled due to the many civil wars the people had experienced as different members of the ruling elite fought for control of the senate and by extension the state. Livy had been witness to this but also saw the stabilizing effect of Augustus' (then Octavian) triumph over Marcus Antonius at the Battle of Actium in 1 BC. And his subsequent establishment in the principate. Despite his solitary rule over the Empire Augustus refused to accept the title of Rex (or King) as the odium that attached itself to that title was still felt by the Roman people after the rule of the last Tarquins over 400 years earlier.

Livys unfavourable description of Tarquinius Superbus, as compared to the treatment of earlier kings works to justify Roman behaviour, much like the demonizing of Hannibal in his later books, (Livy 4.10) in reaction to a foreign threat. Livy recreates a political system that can be

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contrasted with the Republic; he repudiates the Kingship in order to glorify the libertas that the Romans hold dear. In order to do this he completely vilifies the last King of Rome so that the end of the Regal period justifies the cause of the Roman people in their expulsion of a sole tyrant as this legitimizes their later actions in regard to the killing of their own dictator, Gaius Julius Caesar. Livy indicts the King as a foreign villainous tyrant when describing Superbus; "…he finally resorted to the policy, so unlike a Roman, of deceit and trickery," (Livy, 1.5) in order to further ratify the actions of the Roman senate in deposing him.

Livys writing, rather than trying to illuminate the past in a well researched historical manner, took on the form of moralizing, and he uses the myth that surrounds the last Tarquin to comment upon the Roman state and life in his own time. Livy states in his own preface to the books, "behold the lessons of every kind of experience set forth",(Livy, Preface.10) the supposed deeds of their forbears are used to provide guidance for his own time and this in itself casts doubt upon his work as a true historical account. The reshaping of history to impart moral clarity to the reader means that the said history has become a palimpsest onto which values and a moral coda far removed from the times he writes on will have been impressed upon it. An example of this is the inclusion of the line "Unless you obey your father it will be worse for you,"(Livy, 1.50) this kind of moralising speech upholds values of Livys contemporaries in which the paterfamilias as head of the family is the person that should ultimately be obeyed. The words are attributed to an Arrician chieftain but reflect the social situation embedded in Republican Rome. Feldherr describes this as the "…socially useful function of the negative exemplum, defining by contrast the proper conception of the res publica."(Feldherr,18)

Livys recreation of the story of Lars Porsenna's turning away from Rome at the site of Roman heroism in order to imbue their own history with that of the Greek heroic tradition and to effect a decisive ejection of Etruscan rule from Rome, uncomplicated by Porsenna's later possible takeover of the city. The conclusions Livy comes to about the sequence of events that leads to the downfall of Tarquinius Superbus has been questioned by scholars

who especially note that the subsequent expulsion of all the Etruscan elite does not match with archeological evidence that suggests that luxurious Etruscan items can be dated in Rome for at least another 50 years after the date of 50BC that Livy gives for the end of

the regal period in Rome. The Romans post-dated their history in order to keep in line with Greek history, for it was in that year that the Athenians expelled the tyrant Gelon from their own city and founded the political system of popular rule by the people now known as

"democracy'. It seems that Livy has constructed the events in order to match Roman history with that of the cultural power they wished to emulate.

The emulation by Livy appears to extend to the transference of the Greek historical and literary values onto early Roman history, another point on which the veracity of his writing can be questioned. A tragic literary element is inserted into the text with the inclusion of a mythic prophecy that is similar to the Greek myth of Oedipus and the foundation of his city upon the incestuous union he makes with his own mother Jocasta. Livys version recounts the prophecy, "the highest power at Rome shall be his, young men, who shall be first to kiss his mother"(Livy, 1.56) It is the application of a literary tradition to his history that casts doubt upon its ultimate truth as the literary is the realm of myth and legend, not true historical fact and Livy comments on his own source material that they are "…tales with more the charm of poetry than true historical record."(Livy, Preface.6)

It appears that Livys own pro-senatorial bias leads him to debase the last King at the expense of true historical enquiry in order to present a positive view of the Senate and their privileged place in Roman society. Livy represents Superbus as the deviant in the line of Kings when contrasting him to past ones, "For this king was the first to break with the custom handed down by his predecessors of consulting the Senate on all occasions"(Livy, 1.4) His depiction of the acts of Lucius Junius Brutus appear to correlate too closely with those of Decimus Junius Brutus, the patrician who had led a group of his peers in the assassination of Julius Caesar. They did this in order to stop what they perceived as

Caesars inexorable march towards styling himself as "King' of Rome. Livys use of the story of the rape of Lucretia and the former Brutus' outrage as his impetus to stem the evil and tyrannical rule of the Tarquins seems to be suspiciously like a veiled attempt to

question the validity of Augustus' right to sole rule of the Roman Empire, hence Brutus' quote, "I will suffer neither them nor any other to be King in Rome,"(Livy, 1.60) but ostensibly is an attack on Julius Caesar.Livy's account of the early history of Rome takes on the form of a literary rather than a historical tradition and because of this the Greek like tyranny of Tarquinius Superbus and the manner of his expulsion from Rome is questionable as it serves to illuminate a moral perspective rather than a historical one.

Ancient Sources

Livy 1.46 � 60 (on Tarquin the Proud)

D. Kagan (ed.), Problems in Ancient History, Vol. The Roman World, nd edn., London Macmillan, 175, pp. 1-1.

Modern Writers

T. Cornell, The Beginnings of Rome Italy and Rome from the Bronze age to the Punic Wars (c. 1000 � 64BC), London and New York Routledge, 15, pp. 48 � 80.

A. Feldherr, Spectacle and Society in Livy's History, Berkeley University of California Press, 18, pp. 187 � 0.

M. Goodman, The Roman World (44BC � AD180), London and New York Routledge,17, pp. 8 � 47.

H. Scullard, A History of the Roman World 75 to 146 BC, 4th edn., London and New York Methuen, 180, pp. 4 � 77.

T.P Wiseman, "What do we know about early Rome?', review of T.J. Cornell, "The Beginnings of Rome Italy and Rome from the Bronze Age to the Punic Wars (c. 1000 � 64 BC), in JRA (Journal of Roman Archeology) (16), pp. 10-15.

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Best regards,

As above

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