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1. Ben making a burial place for the baby Ben made a burial place for Maria's baby just in case it doesn't live when she gives birth. Meg thought this was very mean of Ben for having such a pessimistic attitude about the birth. Ben said that sometimes things go wrong and the newborn dies. I think Ben is right; something could go wrong and by giving birth at home, without the aid of doctors and nurses, the chances increase for problems. They may have had books to go by, but books don't tell you everything a person needs to know about giving birth. Ben and Maria will be lucky if nothing goes wrong during her birth.


. Meg had two dreams about Molly and herself while living in the summer house. The first dream Molly wasn't sick, and Molly and Meg were running through a field. Molly was ahead and Meg couldn't keep up (like always). The second dream Molly was sick and they were running through the same field, this time Meg was ahead. Molly was behind and couldn't keep up. She kept falling behind. The dreams meant Molly used to be healthy and now Molly's sick. Molly will soon be gone because she is becoming sicker by the minute. The more Molly falls behind the more she will never be able to catch up. Soon Meg will be so far ahead she will never see her sister because Molly is so far behind. As the mother said, "Dreams come out of what is reality." I think that is a true statement. These dreams Meg had are true about Molly. Even though there isn't a cure that could save Molly, the doctors could still try to make Meg's dreams a little less true.


. The saying "Margaret you mourn for" Will said the saying, "Margaret you mourn for." When someone else is sick and dying you think you mourn for them, but you really mourn for yourself. Meg mourned for Molly since she was sick, but Will said Meg really mourned for herself. Will's wife, Margaret, died, Will thought he mourned for Margaret. Will read a poem and a line in the poem was "Margaret you mourn for". After Will read this he understood that he mourned for himself and not his wife since he lost her. Will was right because you really do mourn for yourself. When someone dies you mourn for yourself because you don't have that person to love and be with any more. I learned that when someone dies, sometimes it might be the best thing for that person especially if they are sick and in a lot of pain. I think the saying means you mourn for yourself because you're still in this cruel world without your loved one and the person who died is now in heaven.


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4. Ben and Maria having the baby There was one death in the book, and then a birth was going to happen. The author may have been trying to show the differences and similarities in life and death. A birth is an exciting and happy event in your life. I think births are really special because it is the start of a new life. I think the book made birth sound like it was the most traumatic event of your life.


5. The family moving into the summerhouse the family moved into the new house only for the summer so the dad could finish his book. During the summer many things began and were accomplished. The mom started and finished her quilt and the dad started and finished his book. Molly may not have started her life in the house, but she finished it there. Molly learned she had leukemia while staying here. Ben and Maria's baby was born in this house. That summer was to die for. I think these events made the house a special place for the family. The girls didn't like the house at first but began to like it. They even wanted to go back next summer because the house was so special to them.


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If you order your research paper from our custom writing service you will receive a perfectly written assignment on In chapter 8 Catherine is described as having a "double character'. What are the natures of these characters, and why do you think she has developed them?. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality In chapter 8 Catherine is described as having a "double character'. What are the natures of these characters, and why do you think she has developed them? paper right on time.


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In Wuthering Heights Catherine can often be seen to be portraying two different characters, and it is for this reason that she is referred to as having a "double character". In this essay it will be examined as to when this is the case, and possibly give explanation as to why she has developed them.


Wuthering Heights is seen to be very hypocritical of the social conventions around the Victorian Era, the time when it was written. Bronte pays particular attention throughout the novel to the stigmas which surrounded males and more significantly females, in the way in which they were expected to look and act. In Victorian times, the women were repressed and often seen to be kept by their husbands, a theory which Catherine, and also Emily Bronte did not completely agree with or accept.


In chapter 8 where Catherine is referred to as having a double character, Nelly Dean narrates that Catherine would almost change her personality depending on the company she was keeping. When at home at Wuthering Heights, she was,


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"the queen of the countryside she took no peer and she did turn out to be a naughty, headstrong creature"


This was unheard of at the time, and in most cases would have been suppressed at an early age, had she not had,


"the bonniest eye, and sweetest smile, and lightest foot in the parish, and after all, I believe she meant no harm"


Chapter 5 is significant in the way in which it shows Catherine, even though rebellious, to be a genuine character, who doesn't let any stereotypes restrict her from doing as she pleases. She plays in the fields with Heathcliff, by doing so breaking all female conventions at the time. When Cathys father Earnshaw is near death, her character remains "bold and saucy, still defying us with her ready words". When Earnshaw questions her defiance of femininity,


"why canst thou not always be a good lass Cathy?"


she yet again allows her rebellious nature to show,


"why cannot you always be a good man, Father?"


This is also an accurate example of the traditions and acceptable behaviour seen in the Victorian times. By "good lass" Earnshaw could also be referring to not just her mean streak, but her refusal to conform to the female conventions.


In chapter 7 however, Catherine, who had been residing at Thrushcross Grange whist her ankle healed, was seen to turn into a lady, "her manners much improved"


"with fine clothes and flattery, which she took so readily, so that instead of a wild hatless little savage jumping into the house, there lighted from a handsome black pony a dignified person with ringlets falling from the cover of a feathered beaver"


This perhaps is the first time at which we are aware of the so called double character. She is almost seen to be on show at T.G. , where she is not among her family and therefore feels that she must act more feminine than she has done up to this point. However, as soon as she is reintroduced to Heathcliff, when she returned to Wuthering Heights, we see a temporary revert to her former self,


"catching glimpse of her friend in his concealment, flew to embrace him, so bestowed seven or eight kisses on his cheek"


This is the first occasion when we realise that her reformed, mature and ladylike character is only used when required, and that it changes as and when is necessary. However, this chapter is seen to be a change, marking the end of what Heathcliff and Cathy used to have, and idealist world where they had solely each other. This is because Cathy has no moved partly into a different social sphere, which regrettably Heathcliff cannot follow.


Catherines double character is very obvious in this chapter as it encaptures both parts of the life which Catherine so eagerly wants to live. Her desire to inhabit two worlds, the moors and the wilderness with Heathcliff, and the parlour and elegant lifestyle with Edgar Linton shows her double character, as neither life is similar.


However, in the next chapters, we see the two characters nearly cross. Whilst preparing for a visit from Edgar, Heathcliff mocks her dressing up,


"why have you got that silly frock on then?"


And when Edgar arrives, though Heathcliff leaves, Nelly Dean stays on as chaperone, much to Catherines annoyance. She then,


"supposing Edgar couldn't see her, snatched the cloth from my (Nellys) hand and pinched her, with a prolonged wrench, very spitefully on the arm"


When Nelly tells Edgar, Cathy hastily denies it, "I didn't touch you, you lying creature"


Therefore trying to conceal her other self, which some might argue is her true character. They manipulative way in which she pinches Nelly echoes this. Cathy later sums up this with her reference of her own blood being hotter than Edgars, referring to a difference in their personalities, hot and cold.


In conclusion, Cathy does portray a double character to suit two very different existences. One is for Edgar, who by being with conforms with all the Victorian ideas, restricting her in thought and deed, and the other for the love of Heathcliff, her natural self in which conformity is not even a thought, in which two people with such a bond can be together regardless of circumstances and social conventions


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If you order your research paper from our custom writing service you will receive a perfectly written assignment on the adventures of huclberry finn. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality the adventures of huclberry finn paper right on time.


Our staff of freelance writers includes over 120 experts proficient in the adventures of huclberry finn, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your the adventures of huclberry finn paper at affordable prices ! While the boys are sneaking away, Huck trips over a root and makes noise when he falls. Miss Watsons slave Jim hears the sound and comes outside to look around. Jim sits down right between where Huck and Tom are hiding and decides to wait until he catches them. However, he soon gets tired and falls asleep against a tree.


Tom then wants to play a trick on Jim. He and Huck climb into the house and steal three candles, for which they leaves a nickel as pay. Then Tom quietly makes his way to Jim, takes off Jims hat, and places it on a tree branch above Jims head. He soon returns and tells Huck what he did.


After Jim woke up he thought he had been bewitched, and he always kept the nickel as a token around his neck after that. According to Huck, Jim used to tell all the other slaves that he had been ridden around the world by some witches, and that the nickel was given to him as a token by the devil.


Tom and Huck sneak down to the river and meet some of the other boys who are supposed to be members of Toms robber band. Together they steal a skiff and float down the river several miles to a spot with a cave. Tom shows the boys a hidden room in the cave which they make their robber headquarters.


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Tom then reads them an oath that he has written, taken mostly from robber books and pirate stories. The boys argue over what Huck Finns role in the gang will be, because Huck does not have a family for them to kill in case he reveals any of the gangs secrets. Huck finally offers them Miss Watson in place of his real parents, and the boys then sign an oath in blood to join the band. Tom is elected the captain.


Tom explains that as robbers, they will only attack carriages and take the stuff inside. The men will be killed and the women will be brought back to the cave. He also mentions that they will ransom some of the people, because that is what they do in books, although he has no idea what ransom means. After that, all the boys agree to meet again soon. They return home exhausted and Huck climbs into bed having muddied up his new clothes, and feeling dead tired


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If you order your cheap essays from our custom writing service you will receive a perfectly written assignment on biography Mori. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality biography Mori paper right on time.


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A Japanese American poet, novelist, and nonfiction writer, Mori was raised in Kobe, Japan, and inspired by her mother and grandfather, began to write in both Japanese and English at an early age. These two people in my family gave her the idea that writing was something we did everyday or even every week with enjoyment. As a young girl, she learned numerous ways to be creative, including drawing, sewing, and writing, from her mother and her mother's family. From those family members, Mori says "I came to understand the magic of transformation, a limitless possibility of turning nothing into something." (Mori).


At age 1, Mori's life changed completely, she was devastated when her mother committed suicide. Her father remarried one year later, but the household was not a happy one, and Mori looked for ways to stay away from home. Eventually, she moved to the United States to attend college, receiving her bachelors degree from Rockford College and a masters and Ph.D. from the University of Wisconsin.


Mori's writing grows out of her personal experiences, but she doesn't always write exactly what happens in her own life. "I think that the best thing about being a writer is that we get to moke up things and tell the truth at the same time," she says (Mori). Since she received her doctoral degree, in 184, Mori has taught creative writing and has published fiction, poetry, and essays. Much of what she write is based on the things she knows. For example, she wrote about growing up in Japan, being a runner or a gardener, certain feelings she had as a teenager about wanting to be honest and wanting to be liked. But my novels are more about what could, might or even should have happened, not about what did happen in my real life. All the characters are reflections of some aspect of herself, but none of the characters are strictly herself. She thinks that the best thing about being a writer is that they get to make up things and tell the truth at the same time.


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She did not write about my experience of growing up in Japan until she was in graduate school. There, she first wrote a story about an old woman, someone like her grandmother, having a birthday after her husband and some of her children had died. She wanted to find out, through writing, what it might be like to be she grandmother or someone like her, how an old woman might find moments of joy even in her otherwise lonely life. That story became the seed of what later developed into Shizukos Daughter. She saw the novel at first as a collection of short stories about three women--a daughter, a mother, and a grandmother--in a particular family somewhat like my own. She did not write the stories in a chronological manner. She first wrote a story about the grandmother, which turned out to be the last chapter, then a few stories about the daughter, a story about the mother, and then some more about the grandmother. A few years later, she filled in the gaps, developed the characters more consistently, and turned the collection into a novel.


Her first novel for young adults, Shizukos Daughter (1), was followed by a collection of poetry, Fallout (14). In Moris well-received memoir The Dream of Water (15), she travels back to Kobe to make peace with her mothers suicide and to visit the family she left behind. That same year she published her second young adult novel, One Bird (15). Polite Lies, essays about her life as a Japanese American woman in the Midwest, was published in 18. Stone Field, True Arrow (000) marks her first book of adult fiction and relates the story a middle-aged womans awakening after her father dies in Japan. Mori is currently a Briggs-Copeland lecturer in Creative Writing at Harvard University


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If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Uncle Tom's Cabin. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Uncle Tom's Cabin paper right on time.


Our staff of freelance writers includes over 120 experts proficient in Uncle Tom's Cabin, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Uncle Tom's Cabin paper at affordable prices with cheap essay writing service! By todays standards, Harriet Beecher Stowes book, Uncle Toms Cabin would seem quaint and antiquated, if viewed merely on its surface. But, a deeper look reveals and in-depth look into the lives of a people whose courageous spirits soared far and above circumstance and time. No American of any so-called racial group should be exempt from reading this timeless expose into the ruthless heartlessness of slavery. Those who merely wish to know the customs and language of the time period will appreciate that aspect, while lovers of history in and of itself would enjoy this excellent portrayal of the mores and political climate of the times. Christians will rejoice in its examples of the good-heartedness of those who opposed slaverys maltreatment of Gods children, while the philosopher will ponder and fully embrace the books true portrayal of Uncle Tom, not as the much maligned boot licker, but as a fine example of a persevering Christlike figure, with enough inner strength to stand up against even the threat of death to defend what he knows to be right and to non-violently reject what he knows to be categorically wrong.


Perhaps the greatest character portrayed within the book is that is Topsy, the slave child who has been mistreated and belittled so harshly that she has become incapable of even viewing herself as good. Having come from an environment in which she is daily beaten and starved, she comes into the St. Claire household, incorrigible, constantly into mischief and frequently the focus of negative attention. It is through her own surprisingly insightful comments that the true heart of the matter lies. Many of those who object to slavery in their intellect, still embrace it in their perceptions and daily lives. Indeed, the generational curse of deep seated, unadmitted hatred of Topsy is alive and well and living within many of our hearts even today, regardless of our own heritage.


Ms. Stowes novel calls to each of us and what it calls us is something with an ugly core which we might do well to unearth and then give it a proper burial. Do yourself a favor and read this book.


xxx


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If you order your cheap essays from our custom writing service you will receive a perfectly written assignment on The Similarities between the pyramids of Egypt, Mesopotamia, and Mexico. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality The Similarities between the pyramids of Egypt, Mesopotamia, and Mexico paper right on time.


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MESOPOTAMIA


In Mesopotamia the pyramid-like structure that had smaller platforms that were built onto larger platforms were called a ziggurat. The ziggurat was the typical style of Mesopotamian temples from Sumerian through Babylonian and Assyrian times. Although ziggurats looked somewhat to some extent like the Egyptian pyramids, they were in fact quite different in ways. The ziggurat had steps on the outside of the structure and a shrine at the top. The basic Mesopotamian building material for a ziggurat was dry mud which was shaped into rectangular bricks made to last a long time. The ziggurats were very important because they served as the center for worship and were also temples where gods and goddesses could descend to earth and where humans could climb their way to heaven. Many of the ziggurats continue to be outstanding features of Mesopotamia.


EGYPT


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The pyramids in Egypt were built as monuments to hold the tombs of the pharaohs and to protect the bodies of the pharaohs. The Egyptian pyramids were mostly filled with stones and rubble. Archaeologists have found 46 pyramids so far and believe that there may possibly be more lying beneath the desert sands of Egypt. Egypt's pyramids were the first buildings made by precisely cutting and putting together blocks of stone. The structures of all the pyramids in Egypt were made of small cut limestone blocks, granite and desert clay. It has been discovered by archeologists that the pyramids were built during a king's lifetime because hieroglyphs on the tomb walls have been found showing the names of the individuals who had built the pyramids for their kings.


The first pyramid was built as the burial site of King Djoser (Zoser) in 60 B.C. by architect Imhotep. Later it was called the Step Pyramid of King Djoser in Saqqara, Egypt. The Step Pyramid of King Djoser was modeled after Mesopotamia's ziggurat. The pyramid was much more than a tomb, it was a religious monument. It represented a stairway pointing to the sky for the king to climb to join the sun god.


In the Fourth Dynasty of Egypt, the largest and most famous pyramid of all was the Great Pyramid of Giza in Cairo, Egypt; it was built around 550 B.C. for King Khufu. The Great Pyramid of Giza is known worldwide as the largest stone building in the world and is almost half as tall as New York's Empire State Building. It is also one of the last remaining wonder of the Seven Wonders of the Ancient World. It was built from almost two and a half million blocks of limestone and granite that weigh anywhere between .5 to 15 tons a piece.


The Great Pyramid of Giza took about 0 years to build without disruption from the outside world and was very risky work. Lacking the advantages of modern machinery, the Egyptians depended on abundant manpower, determination, and skill. Many men worked day in and day out, crushed bones, or fell to their death. Some laborers even believed that helping to build a pyramid gave them a better afterlife. Many ancient Egyptian pyramids still stand today in the desert as a reminder of the ancient Egyptian exaltation of life after death.


MEXICO


The great period of early civilizations of Mesoamerica was created by the Maya between the years 00 B.C. and 00 A.D. The Maya were well-known for their highly decorated and detailed ceremonial architecture, which included temples, pyramids, palaces and observatories. Remarkably enough all of the structures were built without metal tools of any kind. About the same time that the Maya cities increased in population in the southern part of Mesoamerica, the great civilization of Teotihuacan (meaning "where men become gods" or "the city of the gods") controlled the central area of the region. Teotihuacan was built around a ceremonial made up of great temples-pyramids. Teotihuacan's pyramids became a series of pyramids and became a site for religious purposes and ceremonies. All of the pyramids of Teotihuacan were built to be aligned with the stars and the solar system from exact points using highly developed understanding of mathematics, geometry, and astronomy as a guide for preciseness. Egyptians believed in doing this, that the dead pharaoh could climb his way to heaven.


The biggest pyramid in Teotihuacan, today, known as the Pyramid of the Sun, made of mud, is approximately seven hundred feet square and over about two hundred feet high. The great Pyramid of the Sun was discovered in171 and was built over a natural cave that was believed by Mesoamericans to be sacred and was a gateway to the spiritual world. Teotihuacan fell around 650 A. D. to invaders, but the civilizations of Mesoamerica lasted for centuries and the Pyramid of the Sun still stands high today, but the names of the builders still remain unknown.


Mesopotamia, Egypt, and Mexico all built pyramids for similar reasons, to protect their pharaohs or god(s). Some of the materials they used to build the pyramids weren't the same, even though they may have looked similar. In Mesopotamia the ziggurats were made of dry mud shaped into rectangular bricks, while on the other hand, in Egypt the pyramids were made of limestone, granite, and desert clay. Then in Mexico the pyramids were made of dry mud.


Pyramids are amazing creations of man. Although pyramids are now a part of history and are not really used today except for tourist attractions, they are evidence that people a long time ago were very independent. They didn't need all the fancy machinery that we have now; they had their bare hands to work with. Now we can see and learn about these magnificent pyramids all over the world.


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At the beginning of the play, Eddie and Catherine have a very intimate and happy relationship. Eddie has given her the best life he can afford, and in return Catherine loves and trusts him completely. However, their situation changes quite rapidly once Beatrice's cousins arrive from Italy. After their arrival, a gap seems to form between Eddie and Catherine. Eddie gradually becomes obsessed with trying to stop destiny from changing his life. This obsession soon leads to the violation of every moral he has ever believed in.


Through out the first scene it is impossible not to notice Catherine's desire to be noticed by Eddie. Her excitement when he arrives home is almost childlike. She is very keen for his approval, and asks at every opportunity if he likes her hair or skirt. It is also at this very early point in the play that the audience might get suspicious of Eddie's true feelings for Catherine. This is a result of his constant comments on her physical appearance. While Eddie's references to her short skirt and her " walkin' wavy', could just be a protective father's worries about the attention she is getting from other men, his intentions are still questionable. In his mind, now that she is wearing high heels and " walkin' wavy ' she is drifting away from him. When he tells her this, she shows her naivety and vulnerability in crying because he disapproves. The intensity of Eddie's protection for Catherine would have been considered odd, as most girls of her age, at that time were already married.


Eddie gets hit with this feeling of being left behind once again in this scene when Catherine tells him that she been offered a job as a secretary. At first, he refuses to let her accept the job, but when Beatrice tells him that he is stifling her, he agrees, "with a sense of her childhood, babyhood and the years'.


Eddie does not want Catherine to accept the job, because he wants her to finish school and get a proper education. From his own experiences, he knows that "you'll never get nowheres unless you finish school.' Eddie wants her to have a better life than his, and in this way acts as a typical father. He admires her for continuing her education, and he uses complements such as "you look like one of them girls who went to college', to let her know his admiration. Eddie shows his disappointment when she tells him about the job.


He does not like the idea of her working in a place where there would be men, who he knows from his own experiences, could take advantage of his pure and innocent Catherine. Eddie shows that this is how he thinks of her, when he calls her "a Madonna'. This idea of her being pure and innocent also explains his resentment towards other men who could be attracted to her as they are therefore violating, and de-purifying her. The way in which Miller uses the word "Madonna' is symbolic as just like the Virgin Mary, who most Catholics (such as Eddie) worship, in his own way Eddie does almost idolise and worship Catherine.


When Eddie finally allows her to accept the job, Catherine's reaction is very childlike in the way she does not control her emotions. She runs up to Eddie and hugs him. It is at this point, that the audience realises the intensity of Catherine's love and respect for Eddie. This is not only because of her reply to Eddie when he jokes about her leaving him, but because of the way she "grasps' onto his arms, as she shouts out "no please!' The very idea of going away from Eddie hurts her.


In this first section of the play Miller shows what a loving and protective relationship Eddie and Catherine have. The audience also becomes subtly aware of the unconscious sexual feelings Eddie has for Catherine.


In the next section of the play, the arrival of the cousins, especially the youngest, Rudlopho, fascinates Catherine. Catherine again voices her opinion on his "practically blond' hair and in doing so shows her naivety and innocence. Eddie notices this fascination and tries to pre-occupy Catherine with making coffee and other tasks.


Later in the conversation when Rudlopho begins to sing "paper doll', Eddie realises that Catherine is "enthralled' in him and decides he has to stop him. He does this by using the plausible excuse of them being "picked up' by the immigration. When Rudlopho stops immediately, Eddie realises his authority over everyone and he rises "with iron control'. This new found authority causes him to tease Catherine about her heels, by calling her "Garbo', in reference to the actress Greta Garbo. Catherine however has changed even in a matter of a few hours with Rudolpho and shows her anger but she still rather obediently changes her shoes.


In this section of the play, Catherine has found someone new and has almost replaced Eddie. In the same way as she used to fight for Eddie's attention, she now fights for Rudolphos. The arrival of the cousins has also affected Eddie. He now feels in charge and is willing to embarrass his Catherine just so he can stop the attraction.


When Rudolpho and Catherine come back from the cinema, Rudolpho tries to make conversation with Eddie, but he is quite rude and insists that he has to talk to Catherine, alone. He tries to express his feelings and while doing so tries to be affectionate by calling her "Katie'. He tries to tell her his worries about her drifting away from him. When this does not he tries to explain to her that Rudolpho is only "goin' with her' for his American passport. This scene is the beginning of the end, for their relationship. As when Eddie says this Catherine loses control and tells him that she "wishes to hell' that he stopped it. This line in the play is important as it shows how much Catherine is repulsed by Eddie. It also shows how many things have changed in such a small amount of time, Catherine is now ready to swear at Eddie to prove her point, something she would never have done at the start of the play.


In the next section, Eddie goes to Alfieri, a lawyer, because he wants to stop the relationship legally. In his speech Alfieri describes eddies eyes, as "tunnels' this shows the audience how obsessed he already is with Catherine and Rudolphos relationship. In his speech Eddie shows just how much Catherine means to him. He wanted her to have a better life then him, and now he feels that she has been stolen from him. Alfieri tries to put into words that there "is too much love' and that "it sometimes goes where it mustn't'. Eddie does not understand what he is trying to say and because of this Alfieri has to actually say, "she can't marry you can she Eddie?' It is at this point that the audience is assured that all of Eddie's sexual desires for Catherine are sub- conscious.


The last section in this act, is when everyone realises that there is a problem. While talking about Italy, Rudolpho mentions that it is "more strict in our town'. Eddie uses this as way of showing that he does not like the way he is out so late with Catherine. Her love for Rudolpho is shown when she challenges Eddie's authority when she asks Rudolpho to dance. Eddie freezes and starts to make a speech about how he can sing, dance, cook, and make dresses. Through out the speech he constantly makes remarks questioning Rudolpho's sexuality.


In this section, Catherine shows that she is not Eddie's little girl any more and that she does not want be. When Eddie challenges Rudolpho to a fight, Catherine is fearful for Rudolpho's safety, showing that if necessary she will take his side.


In this first section of act , Catherine admits to being scared of Eddie, as she knows her love for Rudolpho is making him angry and that this anger can only result in violence. She is confused, as she cannot understand how loving Rudolpho, which is so natural to her can be hurting Eddie so much. In her speech, Catherine sounds very much so like Eddie's wife, "I can tell from a block a way if he's blue in his mind… I can tell you if he is hungry or wants a beer.' Over the years, the family has evolved and Eddie has pushed her into believing that she can be a better wife than Bea can. This is making it harder for Catherine as she does not want to "make a stranger out of him', but she also wants to marry Rudolpho. At the end of this section, Eddie kisses both Catherine and Rudolpho; this shows the audience the intensity of his obsession.


This obsession soon leads him to contact the immigration bureau as a last attempt of breaking them up. In doing this he shows how he has been taken over, he is not only betraying the cousins and his own morals, but also Catherine who is the person he is trying to protect.


At this point in the play, Catherine still loves Eddie although he has changed so much, but she no longer acts like a child. She appears almost business like, she is in control, when Eddie tries to persuade her out of the wedding, her answer is simply, "no we've made it up already. However, when the immigration officers come to "pick up' the cousins, she turns into an animal, trying to protect the man she loves.


It is only at this point in the play that Catherine truly hates Eddie, the one man who she has loved and respected her whole life, has betrayed her. She shows her raw emotion as she says, "to hell with Eddie!' and calls him a rat that belongs in the rubbish. This part of act , is the complete opposite of the happy family at the beginning of the play. It is at this point that Bea finally puts Eddie's true feelings in words. Catherine is horrified and Eddie is described as shocked, horrified, agonised, crying out. At the start of the play there was an intense relationship between Eddie and Catherine, and Bea was pushed out, but now be is the person who is trying to reunite the family.


In conclusion, throughout the play, Eddie feels very complex, sub-conscious, sexual desires for Catherine. He feels frustrated that another man is getting the attention that he wants so desperately. To make matters worse in his mind the person who is taking his place is not even a proper man. As Alfieri says in the prologue, "everyone settles for half' this is Eddie's problem, he will not settle for half. In the past, this determination has never been a problem; in fact, it has helped him look after Catherine the best he is able. However, now that Eddie's desire is Catherine it becomes a problem. He cannot have her without breaking his morals, but he cannot live without her, without breaking his heart. In a way, Eddie's only answer was to go about things the Italian way, to the death. After all what else could end a play about obsessive love, jealousy, and betrayal?


Up until and throughout act 1, Catherine has led quite a sheltered life, although she has grown up in quite a violent neighbourhood. This is why she does not realise what the consequences of her actions could mean. In her mind Eddie is just trying to ruin her life, she cannot see that Eddie is gradually becoming more obsessive about her. This is why in act two she starts to show her strength of character. She seems to grow up more. However, her hostility towards Eddie all ends at the end of the play in Eddie's final moments, is all taken back in her last line, "Eddie, I never meant to do anything bad to you.' I think this line shows that although their relationship did not change, it just developed. After all, at the beginning of the play, the atmosphere was almost unnatural, but towards the end, the relationship was mature.


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