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Our staff of freelance writers includes over 120 experts proficient in Richard Cory, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Richard Cory paper at affordable prices ! The narrators in Edwin Arlington Robinson’s poem, �Richard Cory, are a few people who are standing near Cory as he walks down the street. They are going about their business when Richard Cory walks within visual range and is immediately discussed by the narrators. The town in which the story takes place in is essentially small. This sort of scenario would never take place in a larger city simply because there would be several people like Richard Cory, not just one. The people describe Cory as a very important man who is above anything petty, nearly regal. They find Cory to be everything they are not, and everything they desire to be. Richard Cory is a marvelous man who seems to be too good to be true.

The first two lines of the poem suggest Richard Cory’s separation from the ordinary folk who are telling the story. Richard Cory’s presence on the street demands attention as soon as he is noticed. Just by looking at him, a person can tell that he is above everything else around him. The people describe themselves as just �people on the pavement (51) as though Richard Cory is using some other means of transportation other than walking. Cory �glittered when he walked (51) which looked to them as if he wasn’t walking at all, just merely gliding to his destination while they view themselves as trudging up and down the same pavement on the way to their meaningless jobs.

The next two lines tell what it is in his natural appearance that sets him off from everyone else around him. Cory is described as �quietly arrayed, always human (51) which really makes him different from most people because he is a simple man who only speaks with meaning. A large majority of people speak, it seems, simply because they desire to hear the sound of their voice or they have nothing else to say. Richard Cory is obviously not one of these people. Whenever Richard Cory spoke, he did it for a purpose, or he didn’t speak. Consequently, people respected him and it shows in the way the townspeople describe him and behave when they are in his presence. Chances are good that Cory didn’t have many friends in this small community because most of the townsfolk were far too in awe of him to be his friend. There was a sense of Cory’s eventual downfall during these first three stanzas because everything Cory did, seemed to be too good. There is no possible way a normal human could carry himself so perfectly that it would draw the uninterrupted attention of everyone around him. The people telling the story acted as if an alarm had gone off and their idol was passing them by as soon as he was noticed.

The following two lines in Robinson’s poem mention Cory’s demeanor which elevates him even more over his fellow citizens. Cory apparently resembles a man who has no vanity and it appears that he does not desire to be in the spotlight of the town because he is very quiet, almost unsure of whether he deserves such recognition. Cory obviously knows that he is something special, yet he does not desire to be elevated to that level. Cory is also described more completely in the the third line of the third stanza as the people think that he �was everything, To make us wish that we were in his place. (51) This says quite a bit for the man that Richard Cory was. It is very difficult to find a man so perfect, that people standing on the street observing him do not mention a single flaw. This would be especially true in Cory’s situation living in a small town where one would be almost certain to have one minor flaw worth describing. He is obviously a very humble man, almost too good to be true.

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The third stanza further describes the type of man Cory is and why the people who reside in his town think so highly of him. Cory is �richer than a king and admirably schooled in every grace. (51) The people want to be in his place. They think that he has everything, that nothing more would ever possibly be obtained from his wonderful life. Then, a single bullet shook the town and ruined the mindsets of the townspeople forever. Their superman, who never did a single thing wrong, had done the unthinkable.

The eventual suicide which takes place at the end of the poem in the fourth stanza is not, or should not be, a surprise. The eventual demise of Cory’s psyche was expected at the end of the poem, he just couldn’t be as perfect as what was described. There had to be something wrong. The townspeople simply assume that what he has going for him in life, would make anyone happy. People are not always what they seem. An extremely wealthy man who was admired and envied by those who knew him little and consider themselves less fortunate, commits suicide. As soon as the last two lines are read, �And Richard Cory, one calm summer night, Went home and put a bullet through his head, (51) the people telling the story are immediately elevated. The entire poem up until that point their description of Richard Cory’s great life, and how rotten their lives had become. After the smoke clears from the barrel, those people’s lives don’t seem so bad. Richard Cory’s entire life seemed entirely too good to be true, and it was.

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1. I am just starting my first semester as a freshman at red rocks.

. I have not completed any courses at red rocks.

. Besides your course I am taking pre algebra, intro to philosophy, and the writing class you need before you can take college English.

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4. My goals for this class are to learn what I need to know about reading in college so it can help me in the future.

5. I spend 0-0 hours a week reading for pleasure.

6. I haven't started reading for school yet but when I do I plan on spending more time on school reading than for pleasure.

7. What I like best about reading is that you get all sides to a story. In a movie you can not use your imagination about what the characters look like, and you can not hear what they are thinking either. Reading is just so much more fun and challenging than watching movies!

8. What I like least about reading is that sometimes it makes me tired and I read the words but I do not comprehend what I am reading.

. I have been diagnosed with ADD and I sometimes take medication but I do have a hard time reading fast and comprehending. I have always had trouble in English, especially writing.

t the worlds greatest essayFor education they go to a stunt school to learn how to perform the tricks right so no one gets hurt.

What I don't know

• What's being process in their minds as they perform these acts?

• How much do they get paid; does it range from stunt to stunt?

• How old is too old to perform in stunts?

• Are there more men or women in that line of work?

Why I'm writing this paper?

I'm writing this paper about stuntmen because I would like to learn about their lifestyle and some of the risk they take. But basically I want to know what it takes to become a stuntman living on the edge and getting paid for it. I want to know all the extra steps they take in being prepared in a stunt, how to start a career, the advantages/ disadvantages and what the working conditions are like.

The Search

It was necessary for me to determine who I was going to interview on my topic before I could start my paper. I interviewed K.C. Peterson a legendary stuntman who led a very exciting and interesting lifestyle. We talked about all the aspics involved in being a stuntman. He said "The biggest problem with being a stuntman is that the work is not always there." Basically he went on to say if you don't have any connections in Hollywood it's going to be pretty hard to get a job. The salaries can range as low as $5,000 to $70,000 dollars and more per year. I went on from there to talk about the working conditions and who usually joins in these kinds of working conditions. He said "The working conditions are anywhere and wherever the movie industry is shooting the film. You may have to work from 4am to 10pm and then get up at four the next morning. They work in all types of weather but mostly it's done outdoors. There are more men than women in this business."

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The sun was just rising as Horace Darling pulled into the parking lot of the MI4 building in Chester. Horace walked to the lift and pressed his index finger on the thumb-pad.

"Do you wish to enter?" rang out a shrill computer voice.

"Duh! Of course I wish to enter," replied Horace in a sarcastic tone of voice. The doors of the lift hissed open and Horace stepped in.

"The director wants to see you, Horace," said the receptionist. Horace stepped into the main office and came face-to-face with a "hi-fi' unit. He pressed "Play' and proceeded to sit down on the not too clean floor. "Good morning, agent 04. Your mission, if you wish to accept, is to find a juvenile delinquent by the name of Harry Plodder. He has used "magic' to wreak havoc upon York city. Report to F to get your equipment."

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At the end of the message, Horace stood and exited the office. He headed in the direction of the weapons lab. Upon reaching it, he found a sign saying, "F has been sacked. Grab whatever you want, except the Aston Martin V1 Vanquish, and go." Horace entered the lab and found a mess. Through the piles of debris, he found an air gun, a "Casio' watch and a set of keys for an old "Mini-Cooper'.

Back in the parking lot, Horace found the Mini. After a few failed attempts to start the engine, Horace got out and started to push the lame excuse for a car. He pushed and pushed until, surprisingly, he reached York.

Agent 04 of MI4 drove around York taking in the sights until he remembered what he was doing there. Reaching an internet caf�, Horace started search for a Harry Plodder using the internet. After "Google.com' searched for 0.4 seconds, information started to spurt out. "Harry Plodder. Age 57; hair colour orange; eye colour grey; current location behind you," showed the computer.

"Interesting info," thought Horace. He looked behind himself and saw three boys. One had the name "Mr. Plodder' taped to his forehead. The other two were floating in the air. "Wingardium Blend!" screamed the boy with the wand. The two floating boys appeared to descend into a whirlpool and blend together.

"You with the wand! Put it down now! I have a gun. Okay, okay, it's an air gun. But, imagine it's a gun okay," shouted Horace.

The boy responded, "Never! You killed my mother!"

"No, I am your mother. Wait! Your father. No, I'm your seventy-second cousin on your father's side. Just put the wand down," replied Horace.

"Sure. No problem," said the boy tossing the wand at Horace.

"What? No fight. Nothing? Why? Aren't you going to try to run or something?" asked Horace looking dumbfounded.

"Nope. You see, no one actually asked me to stop; so I never did," replied Harry shrugging.

"Well, I'll take this wand and be off then. And remember, drugs are bad for you," said Horace while picking up the wand.

With the investigation finished, our hero began to push his "Mini-Cooper' back to Chester.

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If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on Society and Morality in Huckleberry Finn and The Great Gatsby. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Society and Morality in Huckleberry Finn and The Great Gatsby paper right on time.

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Samuel Clemens, better known as Mark Twain, encapsulated an era in his literary works. Utilizing his characteristic dry wit and firm grasp of humanity's foibles, Twain masterfully handles the novel The Adventures of Huckleberry Finn. Huckleberry Finn explores the major societal issues of the late nineteenth century, from the stratification of classes to contemporary ethics. F. Scott Fitzgerald, the premier writer of the twentieth century's Roaring Twenties, also focused his writing on society. His highly acclaimed novel, The Great Gatsby, explores the social climate of the 10's, commenting on the same issues Twain documented in Huckleberry Finn, updated and refurnished for a modern generation.

The Adventures of Huckleberry Finn is best known as a social commentary�Clemens's sardonic view of society guised as an innocent adventure novel. Through careful observation Twain gained insight into the heart of humanity and then regurgitated this knowledge into a wry attack on the immorality he saw in society. That society was intrinsically wrong, Twain had little doubt. Atrocities were committed every day, and not just by the "white trash' of the South (Branders 1). The well-to-do Grangerfords and Shepherdsons, the "respectable' Sherburn, and the powerful middle class all have sullied pasts. Huckleberry Finn also focuses on the indifferent attitude the citizens have toward their crooked deeds, not just the deeds themselves. As Smith so succinctly states, "The dominant culture is decadent and perverted. Traditional values have gone to seed. The inhabitants can hardly be said to live a conscious life of their own" (66). In one town Huck alights upon, a self-righteous man, Colonel Sherburn, murders the town drunk. The outraged village swarms Sherburn's home, threatening to lynch him. Instead of begging forgiveness, Sherburn attacks the cowardice of the crowd, laughs at their bravado, and unconsciously exposes his own moral disintegration

You didn't want to come. The average man don't like trouble and danger. You don't like trouble and danger. But if only half a man…shouts "Lynch him, lynch him!' you're afraid to back down�afraid you'll be found out to be what you are�cowards�and so you raise a yell…and come raging up here. (Clemens 118)

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This speech can be applied to more than that particular instance, however- Clemens uses it to expose the protection society provides through sheer numbers. When everyone else is doing it, even if everyone else is wrong, the easier route is to follow along. The majority rules, and the actions of the many set the precedent, amending ethics and demanding conformity (Poirier 6). "The deliberate callousness of the hard-hearted" invades the novel through other characters as well, namely the Duke and the Dauphin (Rubenstein 58). In a famous incident entitled "The Royal Nonesuch", the Duke and Dauphin trick an entire town out of their money and show no remorse for their deeds. Immediately after, the Duke and Dauphin begin a new swindle more insidious than the last�they plan to impersonate a young woman's uncles and steal the money her dead relative bequeathed her. The Duke and the Dauphin play on the sympathies of a bereaved family and when the whole ordeal is over, simply laugh at the swindled, gullible village. As Huck says in Chapter , "Human beings can be awful cruel to one another" (Clemens 18). The Grangerfords and the Shepherdsons also exemplify senseless human cruelty in their actions towards each other. Huck describes them as "gentlemanly' and "high-bred'; to Huck they represent the lofty Upper Class. A feud began between the two warring families decades before, the reason hazy from too many years, but their anger has remained intact. Buck, a young member of the Grangerford family explains the feud to Huck in a tone curiously devoid of judgment "A man has a quarrel with another man, and kills him; then that other man's brother kill him; then the other brothers, on both sides…and by-and-by everybody's killed off" (Clemens 8). Ironically, the families see nothing wrong in the killings (even "amen-ing' a sermon on brotherly love), indicative of the moral break-down in society. As Clemens conjectures in the Adventures of Huckleberry Finn, unscrupulous scruples have become normalized by a culture swiftly headed down the river.

Fitzgerald's characters display similar corruptness in The Great Gatsby. Each character symbolizes a different cultural category, from the lower orders to the nouveau riche to the old-moneyed class. Fitzgerald exposes the faults inherent in each group, and forces readers to become aware of their own imperfections. Just as the characters in Huck Finn drift through Huck's life as he drifts along the river, so the characters in The Great Gatsby drift aimlessly through life, their restless hearts never satisfied or content (Dyson 11). Due to the characters apparent disconnectedness from society, they feel no remorse

for immoral actions. In a culture so ethically depraved, right and wrong drown in a sea of relativity (Clark 15). Lying is common among the characters in Gatsby, as if the familiar avarice had lost its edge with overuse. Tom Buchanan frequently commits adultery with a coarse woman from the "valley of ashes' named Myrtle, who in turn adulterates against her husband George Wilson. Tom's wife Daisy retaliates by beginning an affair with an old beau, Jay Gatsby. In the novel's climax, Daisy speeds off in her jilted lover's car, careening over Myrtle, her husband's mistress. Gatsby chivalrously decides to take the blame, and pays for his altruistic deed with death- Daisy and Tom allow George to believe that Gatsby was his wife's lover and in retaliation George murders Gatsby. Such a cavalier attitude towards dishonesty permeates the novel, connecting each character in a sinister web of deceit and immorality (McAdams 11). Nick embodies this nonchalant mind-set when remarking on his girlfriend's behavior; "She was incurably dishonest…It made no difference to me. Dishonesty in a woman is a thing you never blame deeply�I was casually sorry, and then I forgot" (Fitzgerald 6). Jay Gatsby himself is a lie, having constructed a life for himself out of falsehoods and half-truths (McAdams 11). Jay Gatsby, besides hiding behind a carefully constructed façade, participates in other immoral -and illegal- activities (Rowe 8). Gatsby's fortune was derived mainly through the production and distribution of alcohol during the time of the 18th amendment�Prohibition. Through discreet dealings with less-than-reputable businessmen, Gatsby keeps his fortune thriving and the whiskey flowing. Such corrupt activities mirror the theme of both Huck Finn and The Great Gatsby; that society conceals degenerate behavior behind acceptable norms.

The Buchanans, a wealthy couple who live in Manhattan's East Egg, are also of questionable principles. Tom and Daisy are a callous family, careless with other's emotions and jaded from excess (McAdams 114). The upper class's bored indifference towards life is exemplified in Daisy's comment, "You see I think everything's terrible anyhow…And I know. I've been everywhere and seen everything and done everything" (Fitzgerald ). Fitzgerald takes the Buchanans and applies them to the whole Upper Class, the stratified social club that writes society's rules and then duplicitously violates them behind closed doors. The Great Gatsby alludes to the fact that money corrupts, questioning "whether dramatic inequalities in wealth [constitutes] a moral issue" (McAdams 116). The Buchanan's treacherous affairs and subsequent lack of repentance parallel the Grangerford's and Shepherdson's shameless feud. The characters not only commit atrocious acts but see nothing wrong with their actions. In a society that demands conformity and shrouds iniquitous deeds in piety, authors such as Twain and Fitzgerald penetrate America's fabricated lie and wave the banner of morality and individualism.

The Great Gatsby and Adventures of Huckleberry Finn, though written in different eras about different eras, are novels for every time period. Their universality lies in Clemens' and Fitzgerald's ability to take a current issue and apply it to humanity; a skill noticeably observed in their works. Focusing on society's dwindling morals, Clemens and Fitzgerald together create a comprehensive view of America's cultural past while spinning a story broad enough to retain its relevancy for today. The same problems

that afflicted 1th and 0th century society continue to engage America in a battle for integrity, a campaign eloquently summarized by two of America's finest authors, Samuel Clemens and F. Scott Fitzgerald.

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If you order your research paper from our custom writing service you will receive a perfectly written assignment on Economic Stimulants. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Economic Stimulants paper right on time.

Our staff of freelance writers includes over 120 experts proficient in Economic Stimulants, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Economic Stimulants paper at affordable prices ! George Bernard Shaw once mused that "If all economists were laid end to end, they would not reach a conclusion." In seeming defiance, Robert L. Bartley asserts his deductions plainly "Permanent, Marginal, Immediate" (Bartley, A15). In his article of the same title, Bartley addresses the deceivingly simple question of "what stimulates and why?" en route to theoretically solving the problem of reducing the budget deficit that currently plagues our country's politicians. And though he does indeed arrive at several insightful and valid conclusions, he does so with a slightly negligent treatment of monetary policy and a certainty that seems to discount the ever-haunting unpredictables that seem inherently entwined with the economic question.

The first thrust of his three-pronged argument is simple the tax cut�if it is to be successful in stimulating a growth in the economy and consequently in tax revenues�must be permanent. It is only logical to assume that mere tax rebates, for their temporary nature, will not be regarded as valid stimuli for increased spending. Consider the 001 tax cuts mentioned briefly in the article that President Bush now plans to extend to permanence. In striving to make these cuts permanent, Bush is hoping to avoid a situation similar to that of the failed 175 tax rebates�which were intended to boost consumer spending in the midst of a recession, but were rather tucked away as savings by consumers who were never enticed by the prospect of long term tax reductions that could be of any significant economic benefit. The problem with a permanent tax cut that proves unsuccessful in stimulating growth is that it then results in a gradual growth of the deficit that can only be stopped by the discontinuation of the cut that might damage the rapport of the government's fiscal policy with the people. In the process, the increase in the debt would also cause a rise in the interest rate with damaging effects that could only further stifle economic growth. Questioning the term "permanent" may also prove damaging to Bartley's argument, as it must be accepted that with each election, the government�and its economic policies�are subject to change.

Bartley goes on to affirm the effectiveness of cutting marginal rates as a stimulus for an economic boost and a drop in the deficit, perhaps the most easily admitted point of his argument. This operates under the assumption that a tax cut, which is by definition an expansionary fiscal policy, will cause an increase in government revenues by augmenting savings, investment, and consumer spending through a boost in disposable income and an increase in rewards for such economic activity. Though this seems sound in theory, experience with supply-side economics�and scrutiny of the effects of such policy moves on the aggregate supply and demand schedules�prompts the labeling of such policies as risky. The Reagan era of economic policy, which is synonymous with supply-side theory, is certainly evidence of this notion. Moreover, the effectiveness of the cuts as incentives for savings and investment is questionable. Such savings incentives�which have been know to be unproductive, regressive, and unnecessary (as that saving might have been done regardless)�will logically increase the deficit. Similarly, investment incentives�which easily "distort patterns of investment"�can waste money that could otherwise go towards a boost in government revenue.

Bartley's argument for the immediacy of such cuts may be more sensible and resonates the simple notion that for effects to be immediate, the stimulus must be the same. Though this seems an easy enough contention, it wishfully discounts the multitude of holdups that could impede the immediacy of these policies. Conventionally, it is agreed that dealings in fiscal policy, such as the cuts proposed by Bush and Bartley, advance aggregate demand more rapidly than those actions in the realm of monetary policy. Nevertheless, it is also known that fiscal policy is often hindered by the many policy delays that are inbuilt in the structure of our government. Thus, the effects of the cuts may not be as immediate as Bartley or the American people would hope, resulting in the loss of some of the cuts' economically stimulating fruitions.

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Despite the various uncertainties that must be addressed in any economic proposal, one can somewhat concur with Bartley's contentions. The greatest reservation one might take with his proposed ideas is his disregard for any discussion of monetary policy, which is significant for two reasons first, that the effectiveness of any fiscal policy also depends highly on the condition of our country's monetary policy; and second, that there may exist tactics in the domain of monetary policy that may more effectively stimulate economic growth and boost government revenues. For example, consider the fact that expansionary fiscal policy can cause inflation in shifting the aggregate demand curve outward, a problem that may be remedied or better handled by a manipulation of monetary policies. In short, though Bartley's assertions are for the most part sensible, there are numerous problems and, as was just discussed, omissions that merit some greater scrutiny.

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If we believe that animals have rights then it is moot question to ask if there could be a benefit derived by abusing them. It doesnt matter if testing and experimenting on animals might help people cure diseases in humans, its still wrong. Animals should most definitely have the right not to be injected with diseases and they should not be bred to die. Animal testing is immoral, inhumane, and just plain wrong.

Imagine for a moment that Fluffy, your pet cat, had a disease, now imagine testing for that disease on something else. Imagine that that something else was a human infant . Without a doubt, you would think that that would be wrong and very immoral. Wouldn't you want scientists and veterinarians to figure out what was wrong with Fluffy, by testing on another Fluffy. Of course you would. People have to remember that humans and animals are different. So diseases and treatments in animals and humans would be different.

It is true that there has been some medical breakthroughs because of animal testing, but experimenting on animals has also been a danger to human health. As stated by David Wiebers in the February 17 issue of Scientific American "Important medical advances have been delayed because of misleading results derived from animal experiments." Now, what are some of the misleading result from? Research about polio, strokes, lung cancer, and birth defects.

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According to an article titled Animal Testing Alternatives, Research scientists who are using animals as test subjects are required by the Animal Welfare Act to consider alternatives to animal testing prior to beginning a research project. The article also states that investigators are required to search the literature for alternatives and to supply their findings to their Institutional Animal Care and Use Committee (IACUC). If no alternatives are available, investigators must supply to their IACUC a written description of their search history and databases used to look for alternatives.

A good way to resolve this whole animal testing dilemma would be to allow scientists and doctors to test and experiment on humans. If a person gets a serious disease, the doctors could test treatments on the person with the disease, if he or she understands the consequences, and still wishes for them to do so.

People assume that since animals cannot communicate with us, and since most of them live in the wild, they are unworthy of the right to live. All life is precious and to take a life to cure another life is wrong. As stated in the article called Ethics and Animal Rights Issues, Everybody has the inalienable right not to be tortured.

Another bit from Ethics and the Animal Rights Issues, says If we believe that animals have rights then it simply doesnt make any difference whether or not there is a putative benefit derived from subjecting animals to abuse. So I think that Who the h cares (with an explanation) is an excellent answer to the question Hasnt animal research been necessary in some medical breakthroughs?

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If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on outsiders of society. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality outsiders of society paper right on time.

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People in society often find themselves in the center of an internal conflict. Some

people feel they are more on the outside of society looking in on it rather than being a

part of society. In The Great Gatsby, The Grapes of Wrath, One Flew Over the Cuckoo's

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Nest, and Invisible Man, the protagonist in each novel all share the same internal

conflict of being an outsider and not being accepted by society.

In The Great Gatsby, by F. Scott Fitzgerald, the protagonist Gatsby is always

thought of as a rich, confident, and very popular person who throws these lavish parties

for the upper class. Gatsby attends these parties that he hosts, but he never appears to be

there.Gatsby is rich by his fortune through bootlegging and although he may seem to fit

in with the upper class, he is not one of them. In fact, he is the opposite of what everyone

portrays him to be. If he did not throw these parties, no one would come around Gatsby's

place. He merely is a part of society by having these parties to show off some of his

wealth. But he no matter how rich or how great his parties are, they will not make him

the person he pretends to be. Gatsby lies about his past to some of the people he talks to

so the rich will seem him as important, rather than worthless. If society knew his true

past, they would have nothing to do with him. Gatsby has little confidence and feels he

needs to overwhelm people with appearance rather than personality.

In much the same way, in the novel One Flew Over the Cuckoo's Nest by Ken

Kasey. Randle Patrick McMurphy is an man who is admitted to an insane asylum.

Although he is clearly not insane, McMurphy pretends just so he will not go to jail.

McMurphy is an individual who is challenging and rebelling against the systems rules

and practices. He eventually teaches this practice of rebellion to the other patients who

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begin to realize that their lives are being controlled unfairly by the people who run the

mental institution. When McMurphy first arrives at the institution, all of the other

patients are afraid to express their thoughts to the Big Nurse. They are afraid to exercise

their thoughts freely, and believe that the Big Nurse will punish them if they question her

authority. The theme of this novel is the rejection of those unlike normal society. The

government then places these nonconformists in mental institutions so it will not have to

deal with them. This is societys way of ditching those with nonconformist attitudes so

they will disappear from the world and be forgotten. The government will always wish to

have control over people in some form or another, especially those who refuse to

conform to societys desired standards. McMurphy demonstrates the struggle of those

individuals.

In related novels, John Steinbecks The Grapes of Wrath is a realistic novel that

mimics life. Typical of many families of that time period, the Joads are driven off the

land by far away banks and set out on a journey to California to find a better life.

However the journey breaks up the family, their dreams are not realized and their

fortunes disappear. With the Joads as they travel, we meet the dark underside of

capitalism with its uncontrolled poverty, its inhuman greed and human cost, and sense a

fractured trust between government and people. The protagonist, Tom Joad, is free on

probation but breaks it when he moves to California with his family. Tom and his family

are oppressed by the "non oakies." Since they have no money, society views them as poor

immigrant workers. They are not accepted because they do not have the means to do well

in the world.

In the last novel, Invisible Man, by Ralph Ellsion, the novel begins with the

talking of narrator, but he never reveals his name. What he does reveal though is that he

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is black. Since he is black, people consider him invisible, hence Invisible Man.

American society willfully ignores and oppresses African Americans. An incident took

place one day at a store where the lights went out causing the store to go dark and the

narrator accidentally bumped into a white male. The white man hurled an insult at him

and the narrator attacked the white man because he thought that the white man was

making a racist remark. But it turns out that the white man just couldn't see him, because

he appeared invisible. Though the main character remains confused, there are certain

instances based on racial incidents that allow the character, if not to have found himself,

to ponder more and deeper questions about his identity and to be accepted by society.

Invisible Man is as perplexed as ever as to his identity, but he is, in no way, the same

man he was early on. He has changed and will continue to change.

All four of these novels connect in such a way that the protagonist in each novel

are considered an outsider of society and is not accepted by them because of who they

are. Each protagonist makes a journey for himself through the book in order to become

an insider. Unfortunately, there wish never comes true, and they are still oppressed by

society, but each protagonist has become a changed person when they finish their

journey.

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