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Blackberrying by Sylvia Plath

Within the poem Blackberrying by Sylvia Plath, she positions herself as the lonely walker and speaker, self-consciously communicating with and reacting to nature yet all the while assuming that at her worst this may cause her immediate surroundings to justifiably consume her (by the overwhelming sea ) and that at best her surroundings are malciously indifferent. The theme of Blackberrying, on the surface at least , is of place. Aside from this theme of place and some regularity of structure there are other panoramic factors in this poem. Most striking is the underlying sense of threat and the images of willing death which are anticipated. Plath uses imagery, metaphor, simile and other many elements of poetry in this poem. The imagery is used mostly in the poem to stimulate our senses and recall our imaginations and experiences.

The progress of the walk in Blackberrying does not describe the journeys outset, yet there is a defined middle and end. There is a definitive purpose namely to relish in and gather blackberries. The three nine-line stanzas within the work fulfil three detached purposes-the first to describe the berries and the luscious sensations experienced in their harvest; the second to define the environment and to point to failings which can exist when the berries become overdeveloped; the third to terminate the journey and switch the mood from one of fascination and wonder to stark negative reality. Blackberrying as a term exists in Medieval English. It means going toward death and has the additional negative connotation of death without salvation (hell).

The poem opens with a scenario dominated by blackberries so that we gain an impression of delicious blackness everywhere-nothing , nothing but blackberries. (Line 1) The concept of the twisting lane is created by Plath using an image of hooks-bends which the solitary berry-harvester, the poet, cannot see past. We are told the sea is somewhere at the end of it (Line 4)and we are exposed to the first nuances of limbo and hopelessness when we learn that it is heaving (Line 4)-an apparently strange word to choose to describe the unseen conjured up sea on a windy but sunny September day. Perhaps, even at this early stage of the poem the poet finds the thought of the sea which will greet her at the end of the lane as threatening. Yet it is the berries that demand the poets and our attention as they are described with highly illustrative similes- Big as the ball of my thumb , and dumb as eyes/Ebon in the hedges, fat/ With blue-red juices. (Lines 5-7) The blackberries are not hostile or indifferent. An interesting metaphor in Blackberrying is in the line, These they squander on my fingers. I had not asked for such a blood sister hood. (Lines 7-8) It is as if the juice from the blackberries is their blood, almost as if they are sacrificing it. It then goes on to describe her as she imagines them inviting her into their sorority. She has pricked her fingers on the thorns of blackberries- when her blood mixes with the juices of the blackberries it is as if she has been blood bonded into their sorority, yet she has not asked for this.

The wind features prominently and is represented as a vigorous force which, while not uniformly hostile , is dominant, uncontrollable and yet influential upon the poet and the natural territory in which she has placed herself. In the second stanza we are shown an image of noisy crows circling and protesting , protesting against the ominous presence of the sea which will shortly be encountered. (Line 10) As the speaker describes the birds in the wind as Bits of burnt paper wheeling in a blown sky their protesting voice causes her to remark-I do not think the sea will appear at all.(Lines 1-1) Then the image of lusciousness is compromised as the poet encounters the corruption of excess as she comes to-One bush of berries so ripe it is a bush of flies,/Hanging their blue-green bellies and their wing panes in a Chinese screen./ The honey-feast of the berries has stunned them; they believe in heaven.(Lines 15-17) The cheerful mood of the walker which seemed to exist at the commencement of the poem declines as the undertones of decay and nothingness begin to take over the poets outlook. The reader is left unsettled because of the image of flies, which are usually seen around decay and death.

The third stanza has the colorful image of laundry slapping her in the face and a mechanical image of silversmiths working with an intractable metal. (Line-0) These images are after the beauty of the natural images. There is a strong image of the path, which ends at the hills' northern face, and the face is orange rock, but the view is of nothing, nothing but a great space. (Line 1) emphasizes the empty and bleak mood of the poem. This is a connection to the nothing sentence at the beginning of the poem. The magnificence of the se is an example of the sublime because of the feeling that there is something terrible there. The beating and beating produces a din that doesnt seem quite natural. (Lines 6-7)As the lane in the poem ends, the wind, becomes more aggressive until at last the speaker is faced with the all-threatening, all-consuming sea which is everywhere. We feel her hysteria is not far away-her sense of hopelessness, although perhaps temporarily appeased by blackberry-picking, has returned with a vengeance.

Entirely, the central image of the 1st stanza is of nature and the blackberries that love and are friendly to her. In the nd stanza, the image is of birds and flies that are protesting. The sea is the central image of the rd stanza with the wind slapping and the sea beating.

The language Plath uses in Blackberrying is colourful as she creates wonderful images. The repetition of blackberries, in the first stanza together with big, ball, ebon, blue-red, and blood all support the image of a profusion of berries. Plath also uses color to cement the mood-the berries are ebon, juices are blue-red, flies are bluegreen, the sea is white and pewter under orange rock. And further, give ear to the linked consonance of green, panes, screen, stunned, heaven wave-rhythms scored throughout the poem, so that we know the oceanic has been inside us all along. Also the language is both rhythmic and lyrical. It is almost as if the voice of the speaker reaches out to the reader. The poem comes directly form the speaker and she is characterized by what she is saying. Plaths morbid fascination with death and how to attain it flow from the poem as if in speech. It makes it easier for one to comprehend death, and that the will to die can be a hidden desire in man himself.

The mood of Blackberrying begins buoyantly and continues, in spite of some sinister undertones, with much optimism to show colorful and vivid descriptions of the nature of the late summer lonely lane and its luscious, if flawed, fruits. This airy positive view suddenly collapses within the last stanza into a form of gloomy certainty with the swift discontinuation of the lane and its replacement by intimidating images of the nihilistic cliffs and ominous oblivion of the sea-this could be referred to as a death image.

There is a path in Sylvia Plaths Blackberrying that the speaker takes to the sea, where poems end is matched to lands end, where we stand enchanted by the rhythms. This path in Blackberrying is, a path in progress. Intractable-by inviting the substance in, by letting it repeat, bear out the raw matter of itself. She has found a way to tract,-it draws, it connects, it manages, it discusses itself. Like most other good poems, it is about poetry, whatever else is at issue. The intractability sends us back, in search of what matters, though the matter itself seems resistant to meaning.

Blackberrying tries to celebrate the fruitfulness of nature-the temporarily comfortable yet despair-prone poetic voice being abruptly overwhelmed by a sense of pointlessness and ruin at the end of the piece. On first reading Blackberrying with its delightful images of innocent activity during a late summer day, I shared the poets own disappointment as her short walk came to an end and she was swamped by a sudden feeling of hopelessness so that I found myself wishing she had just turned her back on the sea and retraced her steps while picking blackberries this time on the left mainly.

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This is an age of commercialism.The term consumer society is common and real in developed countries.The less developed and developing nations too are fast entering this rat race of buy and sell.Everything is seem in monetary terms.Even human relationships have a price.It is all a question of who can sell the most and who can afford to buy the most.The dollar seems to represent all that modern society stands for.

To cater to this great urge to buy entrepreneurs are flooding the markets with more and more and better and better commodities.The shops are lined with attractive goods designed to part a man from his money.As more and more people start producing goods to sell there will naturally be a duplication of goods in the market.How then will the producer persuade the buyers to buy his goods and not anothers?What strategy will he employ to ensure that his goods get a fair,if not the lions share,of the market?The answer is advertising.He will resort to advertisements to bring his commodities closer to the consumer.

The power of advertising is indeed strong.Its strength lies in fact that people like to be wooed.People also like to believe.The average man does not find it very easy to decide.He likes to have his decisions made for him.Advertising does this quite effectively.The way advertising companies have sprung up in large numbers testifies to their success.

As numerous and as varied as the products in the market are the advertising strategies used.Modern means of mass communication are many.Modern advertising uses all these means with telling effect.It is almost impossible to escape advertisements.Hoardings stare down at us from the sides of the roads.Neon signs wink above shops.Jingles and slogans assault our ears.Magazines contain more pictures of models and washing machines than articles.Soft drinks and soap are in full array on the TV screen.Against such constant and methodical onslaught what does the consumer have?Can any beauty coscious lady refrain herself from going out and buying the perfume which this popular actress uses?Can any young man not drink the wonderful soft drink which his favourite rock star assures him is the best?

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As far as those who are marketing the product are concerned asvertising does certainly help.It helps them to sell the product better.The consumer too is benefited.He gets to know the market better wothout having to go from shop to shop.He knows what is available.He finds out about the relative merits of the products and can therefore buy wisely.Of course advertising does inflate the price of the goods.When a woman buys a few cosmetics she pays 0% to some advertiser or the other indirectly.Advertising will,however,have helped her to know which are better cosmetics and she will make a better buy.

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Our staff of freelance writers includes over 120 experts proficient in the life you save may be your own (decribes the story), therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your the life you save may be your own (decribes the story) paper at affordable prices ! 1. The structure of this story is very simple. It's a steady, unchanging journey for the characters until another person impacts them and shatters their life. This impact happens twice in the story to two different people. The story starts out with two woman, Mrs. Lucynell Crater and Miss Lucynell Crater. They meet a man named Shiftlet who works for them. The mother tries to get him to marry her daughter. The first impact is when they do marry. It impacts him so much that he leaves the daughter stranded out in nowhere. The second impact is when he's driving on the road and let's a little runaway boy ride with him. He begins to talk about his mother and the boy snaps at him and leaves. This reminds Shiftlet of how corrupted the world is and ruins him.

. What pulls the story together? I believe it is the way Shiftlet feels, how he can't stand corruption and yet he is corrupted without knowing it. This is the relationship between the two impacts, how it ruins the daughter and how it later ruins him. He ditches the daughter because of the reason he married her, only for the car. Later, the hitchhiker boy abandoned him after calling his mother horrible names and Shiftlet, yet faced with more corruption, cries out to God to take away the corruption, not realizing he is just as bad.

. The narrator of "The Life You Save May Be Your Own" is a third person narrator. This narrator really don't revealed to the readers. Flannery O'Connor makes the narrator tell the story like it you were listening to someone telling you the story. This is pretty much straight forward and in no way dos the narrator have anything to do with the story. We come to understand this narrator is as just a person telling a story in a straight forward kind a way.

4. Mrs. Crater- controlling, hoping to sell off her daughter so they may have a man around the house, deceiving, represents one who only cares about herself

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Miss Crater- deaf, innocent, not aware of what's going on, represents the few innocents that are tossed around in a world of corruption

Shiftlet- a tramp with an arm missing, can't stand corruption, questions existence , represents the ones that question life and also only cares about himself

Shiftlet and Mrs. Crater relate in the fact that they can both just abandon or sell someone off for their own benefit

5. I think the time might be around the 150's because the car was built in 18 and hasn't worked for 15 years. It's a desolate spot, probably south. No info is really given. I think it relates to the characters by symbolizing that they're nobody. They have no real meaning to society and life except to themselves.

6. The author uses a lot of irony in the story. Mr. Shiftlet thinks he has so many morals and can't stand corruption, but he marries for money and leaves a deaf girl stranded. The title is also significant to this irony. It comes from an old advertisement saying, "Drive Carefully The Life You Save May Be Your Own." However, none of the characters are careful with their decisions and it ends up destroying them. There is also foreshadowing when they marry at a church and Shiftlet says, "I don't like law." That foreshadows the fact that he is going to do something wrong.

Mythological

1.

. All of the characters in this are ignorant. They don't see how lousy they really are. The daughter is just ignorant because she is handicapped and she doesn't realize how people are just tossing her around. The mother is ignorant because she thinks she has everything figured out, especially Shiftlet. She thinks if she can sell her daughter to a man, she'll be set. Shiftlet absolutely hates corruption, yet he is just as corrupt as everyone else.

. The car is symbolic. It represents the spirit of whoever drives it. When the husband died, the car died. When Shiftlet drove it, the car became a wandering spirit, never stopping for anyone.

4. The characters don't change at all and they never will. They will always be ignorant. Shiftlet will never see any change in the corruption of man because he himself is corrupted. The daughter won't change because of her disability. The mother is the only person who might because of the fact that she lost her daughter, but the story does not go into how it affects her.

5. The story gets religious when Shiftlet calls out to God in the end and prays for him to end the corruption. However, he doesn't realize that he is corruption and if God were to do that, it would end him too. It's also kind of religious when the mother makes them get married at the church and he rejects that. He sees it as law and he doesn't like law.

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Our staff of freelance writers includes over 120 experts proficient in My friend, the hero, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your My friend, the hero paper at affordable prices with custom essay service! In the essay, Notes of a Native Son, James Baldwin reluctantly attends his fathers funeral. When he is led up to the casket to view his father, he realizes his own mortality and the sad truth of the world around him.

He was simply an old man dead, and it was hard to believe that he had ever given anyone joy or pain. Yet, his life filled that room. Further up the avenue his wife was holding his newborn child. Life and death so close together, and love and hatred, and right and wrong, said something to me which I did not want to hear concerning man, concerning life. (Baldwin, 65)

Baldwins bitter realization�for everything good, there is bad�paints a bleak, but realistic picture of our existence as human beings. Baldwins perception of life and death so close together (Baldwin, 65) brings me back to an event in my past, where this irony presented itself clearly to me.

It was October th, 001 and my best friend, Kristas, health was diminishing more and more with every passing hour. She had been activated on the waiting list for a kidney/pancreas transplant over a year ago and the call had not come yet. Her kidneys were failing at a rapid rate and the only choice feasible was to start dialysis the next day. Since the age of four, she had been battling health issues�everything from stomach problems, gastroparesis, to eye problems, her retinas detaching�due to the diabetes. She never let her illness get her down. She fought it every step of the way. A stranger on the street would never know she was sick unless she told them, and even then, she played it off as if it was, as she would say, no big deal. I always admired her incredible strength and determined attitude. Dialysis was a different story though; Krista knew she could not fight this one. She would have to be hooked up to a machine to survive�until her organs came.

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That night, I saw a beautiful, vivacious and strong thirty-year-old woman turn into a frightened little girl. Her attitude was always upbeat and positive, but that night her voice was trembling, filling the phone with sadness and despair. Why wont they call me? she pleaded. I have been waiting over a year for the hospital to call and say, "Hello Krista. This is the nurse from UCSF. We have organs for you, please come to the hospital as soon as possible'!" Finally she proclaimed, "I can't do it anymore; I have no more to give!" I could sense desperation in her voice. All I wanted to do was find the right words to comfort her and give her hope. I was her best friend scrambling for the right words to say. The only words I could strum up entailed, "It's going to be okay." and "You will be getting a call any day! You just have to be patient!"

The fact was I didn't know if she was going to be "okay". I was just as impatient as she was to get the call. How can I give someone�let alone my best friend�hope when I didn't understand what I was hoping for! In order to save Krista, someone would have to lose his or her life, plain and simple. We had many morbid conversations trying to plan the timeframe of when the call would come. Every holiday weekend we would look at the statistics of accident-related deaths and predict that that was the weekend she would get called. Neither she nor I wished for someone to die, but if it had to happen, we prayed it would happen soon, so she could be saved. I would always wish her well on those particular weekends, with a simple gesture, "Have a great weekend. Give me a call if anyone dies." This statement was not meant as a cruel joke, but more as an acknowledgement of a terrifying reality that awaited her.

Krista and I talked on the phone for another hour or so. The conversation mainly consisted of her expressing her fear and frustration of the situation. I was there to listen, which was what she needed the most. This was the first time I truly felt her pain and anguish. I had always been afraid of her disease and was reluctant to face the truth of her illness. If a donor didn't appear soon, she could very well die. I am positive I will never truly understand the extent of emotions she felt, but if I was ever to grasp a tiny portion of that intensity, I felt it that night. I felt desperate and helpless.

The next morning was brisk and inviting. One more day until Halloween and I still had no idea what my costume was going to be. As I washed the night off in the shower, I recalled my cellular phone ringing quite early in the morning while I was still engaged in a deep sleep. It wasn't abnormal for my cell phone to ring at such an odd hour. My boyfriend and I had broken up a few weeks prior, but he would still call at random times of the day to talk. This morning was different. Normally, I would ignore any messages until I got to work, but for some reason I decided to check them. The message I heard was more overwhelming than words can describe. "Hi Jamie," I could hear Krista's voice, soft as a mouse, calmly begin to speak, "I am heading to UCSF. I got the call. Please call me soon, I am so scared." Even though we had practiced over and over again what she would say when she called me, nothing could prepare me for the moment I actually received that call. Adrenaline pumped through my body. It was hard to believe that such a phenomenal miracle could happen the morning after a night filled with so much despair and doubt. I listened to the message one more time just to make sure my mind wasn't playing tricks on me. It was true, I heard correctly. Someone died and my friend would receive the organs she needed; her life would be saved. I must say, that thought brought about the most frightening and elating feelings�all at the same time.

I anxiously called her back, only to speak with her briefly. I needed to tell her everything I wanted to tell her, just in case something was to happen. What do you say when someone you love is heading off to get a kidney/pancreas transplant? I sat there crying on the phone. "I can't believe this is happening!" is all I could spout out. "I love you and I know you will be okay. I am so proud of you!" Although my words were simple and few, she knew what I meant. She knew how much I loved her and she knew I was right by her side, whether it was physically or spiritually. The next twenty hours were painful and grueling.

Halloween day was like no other day I could possibly remember. I received a call from Krista's cousin explaining that Krista was in intensive care and that the surgery was a complete success. All my anxiety was lifted and I was able to breathe again. Leave it to Krista to be the first pancreas/kidney transplant�ever�to be completed in less than seven hours, with no complications. Furthermore, she was out of the hospital in less than a week after her surgery. The approximate expected time for recovery in the hospital was two weeks…she was out in five days! I never expected any less from her, but at the same time, Krista will never know how petrified I was for her.

It has almost been two years since Krista's transplant. She is more beautiful and outgoing than ever. I cannot say she has traveled an easy road, but I can say there is no one in this world I admire more than her. I am thankful every moment of the day for the donor who saved my friend's life. It is truly a shame that someone had to lose his or her life to save my dearest friend. It is a shame, but a blessing at the same time. Since the transplant, Krista was fortunate to be able to contact the donor's family and develop a relationship with them. She received the opportunity to experience and know her donor, Donio�as a person�through his family's eyes. She will never forget the man who saved her life. Although, she feels blessed to have received this transplant, it doesn't make it any easier to accept the fact that someone had to die. It is one of the cruel ironies of life we may never understand. In Notes of a Native Son, James Baldwin realizes and feels that the good and the bad go hand in hand in life�the death of his father and the birth of his sibling. As I look back at my experience with Kristas transplant, I can honestly say my feelings towards life have been altered to reflect an outlook similar to the one Baldwin experiences.

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Our staff of freelance writers includes over 120 experts proficient in Why the Sigh? The Road not Taken, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Why the Sigh? The Road not Taken paper at affordable prices ! Choices are never easy- everyone faces many of them within their lifetime. Some are clear and easy to make, while others are more difficult. The choice is ours, to make a choice for the moment or for the lifetime.

The poem by Robert Frost "The Road Not Taken" is a first person narrative tale of an important moment in the speaker's life. He seems to be torn between the choice of a moment and the choice of a lifetime. "The Road Not Taken" can be interpreted in many ways and there are several levels of meaning to this poem. There can be the literal meaning, as he describes a natural setting with beautiful imagery. This is shown in his strong use of metaphors in describing the wearing of the paths and the use of personification in that the path "wanted wear.' This is also evident in his description of the "yellow wood.' This gives the impression to the reader that there is an autumn scene with the leaves changing. Just as the decisions we make change ourselves. While some would think to describe turning leaves as perhaps golden in color, he uses figurative language with the letter Y in yellow, which to me creates the visual of the fork in the road. There can also be the deeper more profound meaning. His writing describes his feelings in the way he states that he was "sorry he could not travel both', and also the universal meaning of the choices people must make on the road of life and how hard it is to make that decision. The characters apparent inability to make a decision creates the link between the reader and the poet. The Road Not Taken allows the reader to relate the theme to a time in their own life.

"The Road Not Taken" was inspired as a private joke between Frost and Lawrence Thomas. While visiting Thomas in England the two would take long walks through the countryside. Repeatedly, Thomas would choose a route that would allow him to show Frost a special landscape or a rare flower; but by the end of the walk Thomas would regret the path that he chose and would sigh over what he might have been able to show Frost if they had taken the "better" path. Frost often said that he found something "romantic about sighing over what might have been." This helped him with his inspiration to write this poem.

There have been many interpretations of what the true theme of the poem might be, however I interpreted this poem to be about choices whose outcome we cannot predict. Although both paths seem to be very similar in appearance, they both have very different destinations. One might never know exactly where the path or where life might take you. When Frost says "I shall be telling this with a sigh', I am not be sure whether Frost meant the "sigh' to mean he was sorry that he had taken the path that he had or if that he was relieved that he chose the path he did. Frost never publicly clarified what he actually meant by the "sigh,' but Frost once received a letter from a young grammar-school girl asking "Why the sigh?' This prompted his answer. "It was rather my private jest at the expense of those who might think I would yet live to be sorry for the way I had taken my life. I suppose I was gently teasing them. I'm not really a very regretful person, but for your solicitousness on my behalf I'm your friend always." Though these words may seem to mean that he was not sorry for the path that he choose, the question was never truly answered. Frost was reported to say about his poetry, that the reader "Should not press the poem too hard. The real meaning is the most obvious."

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Though Frost's poem "The Road Not Taken" seems to be overtly about choices, his poem "Stopping by Woods on a Snowy Evening" is more subtle in it's theme. Both poems express the sense of a journey. The woods in "Stopping by the Woods on a Snowy Evening" appear to represent his freedom, his way out. He stops in the middle of where he came from and where he was going to contemplate the choice he had to make between freedom and obligation. The snow separates him from the forces at either end of his journey. Frost concludes that the theme of this poem discusses the "conflict between obligatory promises, a matter for the head to decide, and the enticements of the feelings." I see it as being the conflict between the head and the heart.

Robert Frost s true strength is in taking the ordinary and making it extraordinary. He acquaints the reader with the theme of seemingly unimportant experiences, in such a way that allows our own lives to take on new meaning. Many times, Frost inserts personal experience into the personality of his characters. The Road Not Taken and "Stopping by Woods on a Snowy Evening" illustrates the relationship created between the poem and the reader. This relationship allows the readers to connect themselves with the poem. Ultimately the choice is ours. As the poem says, "I, I took the one less traveled by, and that has made all the difference."

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Our staff of freelance writers includes over 120 experts proficient in Yet to complete, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Yet to complete paper at affordable prices ! A goal to ex-Magpie Nick Davis in the shadows of the final siren has helped the Sydney Swans secure a memorable victory against Collingwood by 0 points at Telstra Dome on Saturday, 17.7 (10) to 1.11 (8).

In an exciting final stage of the match, the Magpies booted five goals to draw to within 16 points after finding themselves 46 points down three minutes into the last quarter.

Chris Tarrant booted the last three of those to end the night with five majors but Davis ensured Sydney took the four points when he made no mistake after finding space 40 meters out in the left forward pocket.

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After being well beaten by Hawthorn two weeks ago, Sydney coach Paul Roos has orchestrated fighting wins over Melbourne (on Anzac Day) and Collingwood to bring his side back to a - record.

Sydney's victory also condemned the Magpies to their third straight loss, following on from heavy defeats against the Brisbane Lions and Essendon in previous weeks.

The visitors won the game through a brilliant performance from its powerhouse midfield with Paul Williams, Leo Barry and Jude Bolton totally dominant.

This edge helped create opportunities for their forwards, Adam Goodes taking 10 marks and booting three, with Michael O'Loughlin, Barry Hall and National AFL Rising Star nominee Adam Schneider all finishing with two goals.

O'Loughlin's continues to take great strides in his comeback from injury, collecting nine kicks and seven marks in addition to his two goals.

Apart from Tarrant with five, Anthony Rocca was the Magpies' only on the multiple goal-kicker with two.

The Swans made a brilliant start to lead by 17 points midway through the first quarter courtesy of a four goals in a seven minute burst after Jarrod Molloy had opened the scoring for Collingwood.

Tarrant scored the last of the quarter entering time-on to help reduce the margin to just five points at the first break.

The Swans continued to come at Collingwood in the second term, Hall booting the first major of the quarter after taking clean possession from a forward pocket throw-in.

Sydney displayed tremendous courage to run with the ball and take on Collingwood's runners, a brave tactic that unsettled the home side, which began to look increasingly uncertain when in possession.

This uncertainty translated into goals, with Sydney kicking the last two of the quarter and extending its lead to 18 points at the main break.

Whether streaming forward on the break or starting from deep in defence, Sydney's fleet of runners consistently found space and came out of tight situations in numbers, its opponents unable to find a cohesive way through.

The third term opened with a wonderful goal to Goodes, who played on and kicked truly inside 50. Rocca responded immediately for the home side, but the Swans piled on the next five majors to lead by 45 and seemingly have the match in hand.

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Some people go throughout their lives living under a veil, whether it is intentional or not. Here in America, most people choose to live like this without ever knowing there are other options out there. They get up in the morning, go to work, come home and go to sleep. They listen to their music and watch their programs and probably pay attention to the news every day. The problem is, some of those people never question what they have and how it came to be, just that they have their life and that is all that is important. That is what America is all about, doing what you want and being able to ignore all the wrong in the world.

Having this freedom can be considered a fault because too many things are taken for granted. For example; a male in his mid-twenties working for a living, owns his own vehicle, has a nice apartment, high-tech toys for his entertainment. He never has to worry about where his next meal is going to come from or if someone is going to come and haul him off to jail. He believes his government is corrupt and evil, they make his life horrible, yet he won't put in the effort to vote for his politicians. If only he could go live in Iraq for a week under Saddam's rule and learn how hard life can really be, maybe the veil over his eyes would be lifted.

The saying goes, "Don't believe everything you hear." After the World War, people were terrified of anyone who was different. An upstanding citizen could laugh the wrong way and would be termed a communist even when most people didn't understand what that word meant. This happened because the media told the American people what to think. If you were different, then you were evil, and this included works of literature. Just like the Nazi's, groups would get together and burn books right in the street, shouting and cheering like God himself was joining in. Heaven forbid someone should be creative and use their freedom of speech to express themselves. Eventually the book burning stopped, and thankfully the experience inspired some authors to use it to their advantage.

One of these authors was Ray Bradbury and he created a world that just might have happened if things had been different. "Fahrenheit 451," was set many decades after the book burning period. People stopped being themselves so no one would ever get upset, even the Bible was banned because other religions didn't agree with it. Instead of individuals, there was a sad society going from one day to the next doing exactly the same thing. There was no color left, no dreams, no desires, just air. In our world, Fire Fighters are hero's, people who save lives and protect our most prized possessions. In Bradbury's world, fire fighters destroy them by burning any house down that has a book inside of it. They don't even care if people are inside; it is their job to keep the public in line.

Guy Montag was one of these men. He lived his whole life under the veil created around him, never questioning it, just doing what everyone else did. He was married to a woman named Mildred who he had no real connection with, and had never looked up at the stars. Then one day he met a young girl named Clarisse, who was everything he wasn't but wanted to be. She was full of life and joy; she found everything in the world interesting and didn't care what anyone thought of her. Clarisse opened Guy's eyes to the real world, made him want to think on his own instead of following society. She was his savior, and he broke out of that world because of her.

There was a movie made a couple of years ago that had very similar characters to Bradbury's. This movie was called "American Beauty" and the main character's name was Lester Burnham. He was going through life numb, just doing the same routine day in and day out. The difference was his veil covered just his life. He was caught in a marriage with a woman that was just as cold to him as Mildred was to Guy. Lester didn't have anything that made his life worthwhile, until a young girl named Angela came into the picture. Angela would be about the same age as Clarisse, and though their personalities definitely clash, the affects they had on Guy and Lester are very much the same. When Lester saw Angela for the first time, he said, "It's the strangest thing. I feel like I've been in a coma for thirty years and I'm first now waking up(American Beauty)." He began to stand up to his wife, quit his job that he hated, and found something that brought happiness to him. His wife Carolyn was somewhat similar to Mildred where she made the decision to destroy Lester's life, but instead of calling the fire department, she was going to do it herself.

The Burnham's neighbor, Ricky, was probably more like Clarisse overall. He looked at everything and wasn't afraid to be curious, it was all beautiful to him. Life was a wondrous creation he could constantly be caught up in, even a plastic bag dancing in circles for an hour. Ricky did have an impact on Lester, not quite as much as Angela, but he made him want to live life more carefree and open to more possibilities.

Unlike Lester and Guy, some people live under a veil purposefully. They don't want to open their lives up to happiness and new things. One character from John Osborne's play, "Look Back in Anger," lived his whole life this way. Jimmy Porter lived in a tiny apartment with his silent wife, worked a low-paying job, and complained about anything and everything. He was a well educated man who was never happy with anything and liked it that way. Jimmy believed that the only way to feel anything was if it was negative, so he constantly talked down to people about their lives and how small and insignificant they were. He wanted someone with him that would be just as unhappy and opinionated as he was.

Even though Jimmy could take on almost any job he wanted, he chose to stay at a poor one so his life would always be bad. He was against everything rich people were for, creating a constant downfall for him. The thing is he wasn't really for the working class either since he talked down to everyone that wasn't as educated as him. He was bored with his life because his friends didn't have the knowledge to keep up with him, and he wanted nothing to do with the people who would be able to. Jimmy is a hypocrite in wanting the rich to suffer because they have too much. He has everything he wants and yet he closes himself off from enjoying anything. His wife Alison wasn't even enough to open him up.

Alison was an interesting character because she had so many thoughts and feelings she wanted to say out loud to Jimmy, but never opened her mouth until she was at her lowest point. She let him bash her and her family the whole time they were together, all the while knowing that he just wanted her to speak up and think for herself. She was selfish knowing she could control him in the way of him lashing out at everyone. Alison would turn to Jimmy's friend to defend her when all she had to do was talk to him. She kept herself there when she could have had any life she wanted. And when she finally went away, she couldn't stand being away from Jimmy. She was probably more pitiful than Jimmy since she couldn't find her own path, only what others put before her. Neither of them wanted to break out of their sad little life because that was the only way they didn't feel numb.

Everyone has some kind of veil over their eyes, whether they know it or not. When it comes to Americans, too many people choose to never lift that veil and look at what is out there. One main concern is the environment and how we are going to keep it safe. Another is population control for the world. It is important that we are educated on some of these issues at a young age, but no one seems interested in enforcing it. Like Clarisse, someone needs to take a stand and start making a difference, even if it is just to one person. A chain reaction will occur and maybe our planet will survive for another millennium. Otherwise we will just go on with out daily lives and ignore all the things that really matter, and one day our world will end like the city in Bradbury's book. We have to stop living behind this wall, acting like nothing will ever happen. Our world can not end up like Guy's or Jimmy's; we need to have a world full of Clarisse's and Ricky's.

Bradbury, Ray. Fahrenheit 451. The Ballantine Publishing Group, 150.

Osborne, John. Look Back in Anger. Penguin Group, 157.

American Beauty. Sam Mendes. Jinks/Cohen Company. Perf. Kevin Spacey,Annette Benning, and Peter Gallagher. Dreamworks Pictures, 000.

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