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In his article “The Sculptures of Souillac”, Meyer Schapiro demonstrates “that the apparently “accidental” design [of these sculptures] is a deeply coherent arrangement, even systematic in a sense, and similar to other medieval works.” To do this, he analyses the sculptures in a very detailed way. Firstly, he talks about the common stylistic types being bound up with common technical devices.

He then analyses what he calls “discoordination”, and proves that these should not be considered as errors but as a tasteful choice of the artist. Then, looking at the figures more closely (how often they appear, their changes, their disposal), Meyer Schapiro demonstrates that all of this is actually made to make the episodes of the sculpture a single differentiated action of groups. He also relates the figures of Joseph and Isaiah to this same system and believes that they are the contrasting structures which pervade the larger groups and the works as a whole. After describing the trumeau he states that it is more than a “network of abstract, ornamental lines to which the figures have been submitted.”

While trying to understand what this story must have meant and implied in the 1th century he comes up with a list of 7 contemporary interests and motives which he believes could help understand some of the stylistic and iconographical choices the artist(s) made.

The, he compares the sculptures of Moissac, Beaulieu and Souillac to demonstrate that they have a lot of themes in common, which lead to a continuous growth but also emphasise on the peculiarity and originality of each school.

Finally, he briefly talks about how the social, political and economical conditions during that period in that region must have influenced the architecture and sculpture.

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