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The second offering from Brigit Saint Brigit’s Irish Theatre in Repertory, the play is set in early 17 during a civil rights march in Derry City, Northern Ireland. As the scene opens, three dead bodies are photographed and given their last rites before being dragged offstage. An English judge then appears and provides some background These three people came together, seized possession of a civic building and openly defied the security forces. The facts may indicate that the deceased were callous terrorists who had planned to seize the Guildhall weeks before or the misguided scheme occurred to them on that very day while they listened to revolutionary speeches.


As the play continues, it becomes apparent that neither of these scenarios apply. Suffering from gas inhalation and burned eyes, Michael Hegarty (Daniel Dorner), an idealistic student; Lily Doherty (Charleen Willoughby), a 4-year-old housecleaner and mother of 11; and Skinner (Scott Kurz), a cynical vagabond who lives by his wits, unknowingly wander inside the Guildhall for some clean air; the side door has been left unlocked and unguarded during the commotion. While they recover, the trio sups fine spirits, dresses in government robes and marvels at the opulence around them. But they aren’t terrorists. As Hegarty says, all they want is what everyone should be entitled to a decent home, a place of employment that offers a fair wage and a free city in which to raise their children. Unfortunately, the odds are against them and the only thing they are destined for is more misery.


Directed by Cathy M.W. Kurz, Freedom of the City is one of the finest productions to grace an Omaha stage in years. It is thought-provoking and socially relevant material that can leave its audience speechless. It also asks questions that few do, including what role do economics play in such an event and when a tragedy occurs do we ever really learn the truth. In Freedom of the City , the tension and fear is so high during the demonstration that the police officers and media inflate the gravity of the situation, saying that as many as 40 people may be involved and that because the Guildhall is a symbol to the Unionists the outcome will probably be like the fall of the Bastille. When preconceptions such as these exist, the only possible outcome is knee-jerk reaction, serious regret and lives lost.




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