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The differences between eighteenth-century literature and


romantic poems, with respect to history is constituted here. This is


seen through the influential works of John Keats and Alexander Pope.


These works are acknowledged as, The Rape of Lock and The Eve of


Buy 18 th Century Poem Analysis term paper


St. Agnes. Alexander Pope takes his readers on a hatred filled epic.


A robust piece of literature and love induced psychoses in, The Rape


of Lock. On the other hand, The Eve of St. Agnes told a tale of


life, love, death, and eternal fate in heaven. These two brilliant


writers have given two magnificent poems. Pope exhibits many


characteristics of a narcissistic human being. His independence in


life shows through his writings in fiction. Which inevitably portray


his deeper feelings of life. Popes efforts here are of outstanding


quality. However, his poem did fail to convince Arabella to r�sum�


her engagement to Lord Petre. Most of Popes efforts here were


written with time. Now, Keats has romantically serenaded his reader


with descriptive lust and desire, which can be compared with popes


efforts by the difference in eighteenth century literature and


romantic poems, their descriptive natures and ideas they portray to


the reader through their writing.


Pope has written an eighteenth-century poem which he calls,


An Hero-Comical Poem. This poem has exalted an over all sense of


worthlessness for common rules. The mentioning of Achilles and the


ever-popular Aeneas, are symbols of Popes Gothic style. Pope speaks


(almost) G-D like throughout, The Rape of Lock. Contrary to Keats,


who is more down-to-earth with his sense of realism in his writings.


In the beginning of Keats romantic premise to life in St. Agnes, all


is cold. The opening sequence brings a sense of realism to this


bitter cold scene. Cold owls, rabbits, and numb fingers on a holy,


Beads man. The Beads man symbolizes the sense of age and spirit.


Much of this poem is a test of Keats inner soul or spirit. He has


lead himself to St. Agnes for his own personal account of life in a


time long gone. Keats romantic style has brought visionary raw


emotion to the aching hearts of all his readers. Then, both poems go


separate ways in their tales of body and spirit.


Taking account of all differences in these two works, has


brought out a sense of unknown extasy. Pope displays morality with


his own twists on fate and man kinds inability to rationalize right


decision making in life. He complicates this with, Moral


superiority and his visions of old styles blended with his attitude


for recognition. Pope has indulged the reader in consistent religious


order, and awkward justice for mankind. However, when viewing Keats


poem stanza by stanza, much is revealed. Keats tale starts as a


direct eagerness for future considerations. His image of love and old


age creates a stifled knot in the stomach of the reader. Enthusiastic


resistance is overcome by Keats smooth flow, and harmonizing beauty in


heaven. Angels and death are brought together like osmosis. His


ability to start off in a cold bitter atmosphere of regret, and then


sway the readers emotion to a peaceful loving atmosphere is in itself


astonishing. Desire brings Keats to the heightened point of emotional


gratification within, The Eve of St. Agnes. St. Agnes is such a


peaceful age-old memory for Keats. He presents strength when pain is


being inflicted. His early images of purgatory, show Keats in a bind


of human emotion and regret for past sins. However, Pope does this


as well throughout, The Rape of Lock. Although, Pope is less


likely to find a happy medium in his tale of tolerance. He does


manage to relinquish all his desires for the sake of his own inner


strength. This strength is portrayed more intensely through his soul.


Memories are key to the anguish of the poem. In all of Keats


mediocre issues come love and honor. The entire tenth stanza is


caused by the emotions involved with love. However, this must leave


some readers at a loss. Keats doesnt seem to really care whether


anybody understands him. Keats only concern is to repent and achieve


harmony in life with his body and soul. Each of these two poets has


signified their lack of realism with a substantial concern for age-old


myth, and undeniable love. The portrayal of love in each poem has


brought most of the emotional satisfaction from the reader. Hence,


having observed these two magnificent artists for their personal


adherence to the reader, it is necessary to delve into the emotional


collaboration of imagery and its effect on the mind, body, and soul of


the two sides involved in each reading.


Imagery can sustain many possible contradictions on the


writers intentions. For instance, Keats hides his characters(Porphro


and Madeline) in order to present a more lustful in-depth love.


Safety is a key to Keats prolific attitude on the secrecy of a


womans virginity. A wholesome outlook is always in the future, it


would seem. However, this outlook is never reached throughout the


poem. In comparison with Pope, Keats has distinguished himself in his


writing. Pope relies on old myths and obscure legends in order to


achieve his outcome of clarity. Each writer has their own hero of the


day. In each writers mind is the idea that one can be g-d through


their own scripture. Each must be excused for not always being able


to know what is still real and what is fiction in life. Their


expensive minds have brought their own personal truth to light. Can


they hear the crying of their love sick pasts? In classic style, Pope


has brought dreams to reality. While Keats has more realistically


attended to his personal experiences. In addition to women, love,


g-d, sex, soul, mind, and body, Keats and Pope have taken different


outlooks on many similar issues. Keats has given the reader a more


intense feeling of desire and lust, then Pope. However, when myth and


love collide Alexander Pope has answered with his tale of g-ds,


angels and afterlife. As an empirical narcissistic person, I have


romanticized about the romances Keats has described. His inner


thoughts are more clear, then those of Pope. Additionally, Pope is


more morbid and in a way sour about his shortcomings in life. Which


are expressed significantly in many of Popes images. For instance,


poetic eyes is used by Pope on line 14. This image can be


expressed as a better way for the reader to see that life imitates


art! Now, viewing both works in detail has brought out an arousal of


insecurity and misunderstood quality. However, each has distinguished


its own identity by its style.


Referring back to the comparison of Pope and Keats styles can


be quite an enhancement upon the cerebral context in each poem. Pope


has strictly concerned himself with literary merit, and ghostly


apparitions of old tales that haunt all writers of the possibility for


brilliance. Keats however, has staked his claim as a romantic


idealist of love and thought. Mind, body and soul are key factors in


both of these works. Heaven is portrayed as a savior to man, and an


unforsaken goal for others. Spirituality reigns deep within the


hearts of both Keats and Pope. Consequence is not an issue, but the


ability to repent through words of wisdom is. This is what keeps Keats


and Pope sane(As well as many other writers, including myself). With


wisdom comes age, and with desire comes lust. Therefore, romantic


poets need to be preserved for their tremendous ability to stretch the


common ability to comprehend all of lifes trials and tribulations as


seen here in all its glory!


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